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her from me. I--I see her!" he cried. "She is wondrously beautiful!" At this moment Poussin heard the weeping of Gillette as she stood, forgotten, in a corner. "What troubles thee, my darling?" asked the painter, becoming once more a lover. "Kill me!" she answered. "I should be infamous if I still loved thee, for I despise thee. I admire thee; but thou hast filled me with horror. I love, and yet already I hate thee." While Poussin listened to Gillette, Frenhofer drew a green curtain before his Catherine, with the grave composure of a jeweller locking his drawers when he thinks that thieves are near him. He cast at the two painters a look which was profoundly dissimulating, full of contempt and suspicion; then, with convulsive haste, he silently pushed them through the door of his atelier. When they reached the threshold of his house he said to them, "Adieu, my little friends." The tone of this farewell chilled the two painters with fear. * * * * * On the morrow Porbus, alarmed, went again to visit Frenhofer, and found that he had died during the night, after having burned his paintings. End of Project Gutenberg's The Hidden Masterpiece, by Honore de Balzac *** END OF THIS PROJECT GUTENBERG EBOOK THE HIDDEN MASTERPIECE *** ***** This file should be named 1553.txt or 1553.zip ***** This and all associated files of various formats will be found in: http://www.gutenberg.org/1/5/5/1553/ Produced by John Bickers, and Dagny Updated editions will replace the previous one--the old editions will be renamed. Creating the works from public domain print editions means that no one owns a United States copyright in these works, so the Foundation (and you!) can copy and distribute it in the United States without permission and without paying copyright royalties. Special rules, set forth in the General Terms of Use part of this license, apply to copying and distributing Project Gutenberg-tm electronic works to protect the PROJECT GUTENBERG-tm concept and trademark. Project Gutenberg is a registered trademark, and may not be used if you charge for the eBooks, unless you receive specific permission. If you do not charge anything for copies of this eBook, complying with the rules is very easy. You may use this eBook for nearly any purpose such as creation of derivative works, reports, performances and research. They may be modified and printed and given away-
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