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immie; he couldn't to-night, he--couldn't." Jimmie's lips drew back from his gums as though too dry to cover them. "You--you street-runner, you!" "Jimmie!" "You--you--you--" "For Gawd's sakes, she'll hear you, Jimmie!" "You devil, you! You've killed her, I tell you! I've been holdin' her in there for two hours, with the sweat standing out on her like water--you--" "Oh, Gawd! Jimmie, lemme run for old man Gibbs; lemme--" "Oh no, you don't! Lizzie Marks down-stairs is gone for him--but that ain't goin' to help none; what she wants is _you_--you and your low-down sneaking friend; and she's goin' to have him, too." "He's gone, Jimmie. What--" "You can't come home here to-night without him--you can't! You better run after him, and run after him quick. You can't come home here to-night without him, I tell you! Whatta you going to do about it--huh? Whatta you going to do? Quick! What?" She trembled so she grasped the back of a chair for support, and tears ricocheted down her cheeks. "I can't, Jimmie! He's gone by now; he's gone by now--out of sight. I can't! Please, Jimmie! I'll tell her! I'll tell her! Don't--don't you dare come near me! I'll go, Jimmie--I'll go. 'Sh-h-h!" "You gotta get him--you can't come here to-night without him. I ain't goin' to stand for her not seeing him to-night. I--I don't care how you get him, but you ain't going to kill her! You gotta get him, or I'll--" "Jimmie--'sh-h-h!" "Jimmie, tell him it ain't like me to give out like this. Tell--" "Yes, ma." "Yes, ma--we're comin'. Joe's waitin' down at the door. I'll run down and bring him up; he--he's so bashful. In a minute, ma darlin'." She flung open the door and fled, racing down two flights of stairs, with her steps clattering after her in an avalanche, and out into a quiet street, which sprung echoes of her flying feet. After midnight every pedestrian becomes a simulacrum, wrapped in a black domino of mystery and a starry ephod of romance. A homeward-bound pedestrian is a faun in evening dress. Fat-and-forty leans from her window to hurtle a can at a night-yelling cat and becomes a demoiselle leaning out from the golden bar of Heaven. In the inspissated gloom of the street occasional silhouettes hurried in silent haste; and a block ahead of her, just emerging into a string of shop lights, she could distinguish the uneven-shouldered outline of Joe Ullman and the unmistakable silhouette of his slightly ask
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