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least an hour. I rolled him over and put the telephone back in its cradle. I ransacked his apartment. I found it in his desk: All his notes. All the information. The secret of how to do the things he could do. I picked up the telephone and called the Washington police. When I heard the siren outside, I took out my service revolver and shot him in the throat. He was dead before they came in. * * * * * For, you see, I knew Laurence Connaught. We were friends. I would have trusted him with my life. But this was more than just a life. Twenty-three words told how to do the things that Laurence Connaught did. Anyone who could read could do them. Criminals, traitors, lunatics--the formula would work for anyone. Laurence Connaught was an honest man and an idealist, I think. But what would happen to any man when he became God? Suppose you were told twenty-three words that would let you reach into any bank vault, peer inside any closed room, walk through any wall? Suppose pistols could not kill you? They say power corrupts; and absolute power corrupts absolutely. And there can be no more absolute power than the twenty-three words that can free a man of any jail or give him anything he wants. Larry was my friend. But I killed him in cold blood, knowing what I did, because he could not be trusted with the secret that could make him king of the world. But I can. --FREDERIK POHL Transcriber's Note: This etext was produced from _Galaxy Science Fiction_ February 1955. Extensive research did not uncover any evidence that the U.S. copyright on this publication was renewed. Minor spelling and typographical errors have been corrected without note. End of the Project Gutenberg EBook of Pythias, by Frederik Pohl *** END OF THIS PROJECT GUTENBERG EBOOK PYTHIAS *** ***** This file should be named 30399.txt or 30399.zip ***** This and all associated files of various formats will be found in: http://www.gutenberg.org/3/0/3/9/30399/ Produced by Greg Weeks, Stephen Blundell and the Online Distributed Proofreading Team at http://www.pgdp.net Updated editions will replace the previous one--the old editions will be renamed. Creating the works from public domain print editions means that no one owns a United States copyright in these works, so the Foundation (and you!) can copy and distrib
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