FREE BOOKS

Author's List




PREV.   NEXT  
|<   43   44   45   46   47   48   49   50   51   52   53   54   55   56   57   58   59   60   61   62   63   64   65   66   67  
68   69   70   71   72   73   74   75   76   77   78   79   80   >>  
ity as complements by uniting in equal areas to form a neutral mixture. It only remains to apply them in their proper position on the sphere. (112) A band is traced around the equator, divided in ten equal spaces, and lettered R, YR, Y, GY, G, BG, B, PB, P, and RP (see Fig. 18). This balanced red and blue-green are applied with the brush to spaces marked R and BG, care being taken to fill, but not to overstep the bounds, and the color laid absolutely flat, that no unevenness of value or chroma may disturb the balance. (113) The next pair, represented by Raw Sienna and Ultramarine, is similarly brought to middle value, balanced by equal areas on the Maxwell discs, and, when correct in each quality, is painted in the spaces Y and PB. Emerald Green and Purple Madder, which form the next pigment pair, are similarly tempered, proved, and applied, followed by the two remaining pairs, until the equator of the globe presents its ten equal steps of middle hues. +An equator of ten balanced hues.+ (114) Now comes the total test of this circuit of balanced hues by rotation of the sphere. As it gains speed, the colors flash less and less, and finally melt into a middle gray of perfect neutrality. Had it failed to produce this gray and shown a tinge of any hue still persisting, we should say that the persistent hue was in excess, or, conversely, that its opposite hue was deficient in chroma, and failed to preserve its share in the balance. [Illustration: Fig. 18.] (115) For instance, had rotation discovered the persistence of reddish gray, it would have proved the red too strong, or its opposite, blue-green, too weak, and we should have been forced to retrace our steps, applying a correction until neutrality was established by the rotation test. (116) This is the practical demonstration of the assertion (Chapter I., paragraph 8) that a _color has three dimensions which can be measured_. Each of these ten middle hues has proved its right to a definite place on the color globe by its measurements of value and chroma. Being of equal chroma, all are equidistant from the neutral centre, and, being equal in value, all are equally removed from the poles. If the warm hues (red and yellow) or the cool hues (blue and green) were in excess, the rotation test of the sphere would fail to produce grayness, and so detect its lack of balance.[29] [Footnote 29: Such a test would have exposed the excess of warm color in
PREV.   NEXT  
|<   43   44   45   46   47   48   49   50   51   52   53   54   55   56   57   58   59   60   61   62   63   64   65   66   67  
68   69   70   71   72   73   74   75   76   77   78   79   80   >>  



Top keywords:

rotation

 

balanced

 

middle

 

chroma

 

excess

 

spaces

 
proved
 

balance

 
sphere
 
equator

applied

 
neutral
 
opposite
 

similarly

 
produce
 

neutrality

 
failed
 

instance

 
persistence
 

reddish


discovered

 
exposed
 

Footnote

 

persistent

 

conversely

 

deficient

 

Illustration

 

persisting

 

preserve

 

established


definite

 

grayness

 

measured

 
measurements
 
yellow
 

removed

 

equally

 

centre

 

equidistant

 

dimensions


applying

 

correction

 
detect
 

retrace

 
forced
 
practical
 

paragraph

 
perfect
 
Chapter
 

demonstration