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s package. "There, dear Fanny," he said, "we have brought it all the way from Glen Tulloch. I bought it with some money which papa gave me to do what I liked with. But I was afraid it might die on the journey, so I did not like to offer it you till arrived safely here. Will you take it, dear Fanny, and call it Pecksy? I hope it will be a happier little Pecksy than the last." For a moment Norman hung down his head, and then he looked up with a beaming smile as Fanny kissed him, and thanked him again and again for his gift. Norman then begged Fanny to come up to her room, and he there pointed out a hook which had been placed in the wall on which she might hang her bird-cage and reach it without difficulty, though too far off the ground for Trusty to frighten it, or for Kitty, the cat, even by exerting her utmost agility to reach it. Fanny thought herself the happiest little girl in existence. She showed Norman the new Miss Lucy, whose appearance astonished him even more than it had Fanny. Norman spent some happy weeks at home, and Mrs Norton expressed herself much pleased at the progress he made. The time then came for him to go to school, and after he had been there for some time, the master wrote word that he was among the most attentive and obedient of his pupils, and that he had not a word of complaint to make of him. All his friends felt very happy on receiving this information, and Fanny looked forward with delight for his return home for the holidays. He maintained his character, and though it cannot be said he has no faults, he undoubtedly does his best to overcome them, and I shall be very glad if all the young readers of this tale, will endeavour to do the same--trusting to the same help which he sought and obtained. THE END. End of the Project Gutenberg EBook of Norman Vallery, by W.H.G. Kingston *** END OF THIS PROJECT GUTENBERG EBOOK NORMAN VALLERY *** ***** This file should be named 25928.txt or 25928.zip ***** This and all associated files of various formats will be found in: http://www.gutenberg.org/2/5/9/2/25928/ Produced by Nick Hodson of London, England Updated editions will replace the previous one--the old editions will be renamed. Creating the works from public domain print editions means that no one owns a United States copyright in these works, so the Foundation (and you!) can copy and distribute it in the United States without permission and
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