erever written, and by
whom written, is in a far from perfect condition. Though the care of Dom
Gregory had encased it in a wrapping of purple-colored vellum, it still
seems to have suffered from time and careless treatment. Probably its
greatest injuries date from that period when, during the stress of the
French Revolution, the treasures of the abbey library were hurriedly
concealed in underground cellars, and suffered no little from damp and
dirt during the period of their incarceration. Many portions of the
narrative are either wholly absent or exist in such a fragmentary
condition that, like a corrupt Greek text, they have to be restored by
the desperate process of guesswork. Those, therefore, who thirst for the
exact text of the tale, must either wait in patience for Professor
Pawling's long promised edition, or satisfy their curiosity by a visit
to the Abbey of Bonne Aventure in Poitou.
THE END
NOVELS BY JUSTIN HUNTLY McCARTHY
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SERAPHICA. Post 8vo 1.50
THE DUKE'S MOTTO. Post 8vo 1.50
IF I WERE KING. Illustrated. Post 8vo 1.50
MARJORIE. Illustrated. Post 8vo 1.50
THE DRYAD. Post 8vo 1.50
THE LADY OF LOYALTY HOUSE. Post 8vo 1.50
THE PROUD PRINCE. Post 8vo 1.50
THE FLOWER OF FRANCE. Post 8vo 1.50
THE ILLUSTRIOUS O'HAGAN. Post 8vo 1.50
NEEDLES AND PINS. Illustrated. Post 8vo 1.50
HARPER & BROTHERS, PUBLISHERS, N. Y.
End of Project Gutenberg's The God of Love, by Justin Huntly McCarthy
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