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every care and comfort. [Illustration: MRS. MONA CAIRD.] She was singularly reticent and self-possessed. In speaking, there was no emotional emphasis, whatever she might be saying. The only comment on her narrative that one could detect was an occasional touch of cold scorn or irony. The more terrible the incident that she related, the more quiet became her tones. It seemed as if the flame of indignation had burnt itself out in the years of suffering that she had passed through. The traces of those years were in her face. Its very stillness and pallor seemed to tell the tale of pain endured silently and in solitude for so long. It was written, too, in the steadfast quality that expressed itself in her whole bearing, and in the entire absence of any petty self-consciousness. In spite of the awful nervous strain that she had endured she had no little restless habits or movements of any kind. One felt in her a vast reserve force and a dauntless courage. It was courage of a kind that is almost terrible, for it accompanied a highly organised and imaginative temperament, a nervous temperament, be it observed, which implies _controlled_ and _ordered_, not _uncontrolled_ and _disordered_ nervous power. The half-hysterical persons who class themselves among the possessors of this temperament are apt to overlook that important distinction. "Mademoiselle Sophie" gained none of her courage from insensitiveness. Her whole life was dedicated to the cause of her country, and the personal elements had been sacrificed to this object beyond herself: the forlorn hope which has already claimed so many of the noblest and bravest spirits in all the Tzar's dominions. After "Mademoiselle Sophie" left that afternoon, I could not help placing her in imagination beside the average woman that our own civilisation has produced (not a fair comparison doubtless); and the latter seemed painfully small in aim and motive, pitifully petty and fussy and lacking in repose and dignity when compared with the calm heroine of this Russian romance. But human beings are the creations of their circumstances, and the circumstances of a Western woman's life are not favourable to the development of the grander qualities, though, indeed, they are often harassing and bewildering, and cruel enough to demand heroism as great even as that of "Mademoiselle Sophie." I think it would be salutary for all of us--men as well as women of the West--to come more of
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