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But Mrs. Earle did not wait to observe this phenomenon. Rid of his presence, she leaped, rather than ran, up the stairs and threw open the door of her office. As she entered, two men followed her. One was a young man who held in his hand an open note-book, the other was Tim Meehan, of Tammany. The latter greeted her with a shout. "We heard everything he said!" he cried. His voice rose in torment. "An' we can't use a word of it! He acted just like we'd oughta knowed he'd act. He's HONEST! He's so damned honest he ain't human; he's a ---- gilded saint!" Mrs. Earle did not heed him. On her knees she was tossing to the floor the contents of the waste-paper basket. From them she snatched a piece of crumpled paper. "Shut up!" she shouted. "Listen! His chauffeur brought him this." In a voice that quivered with indignation, that sobbed with anger, she read aloud: "'As directed by your note from the window, I went to the booth and called up Mrs. Cutler's house and got herself on the phone. Your brother-in-law lunched at home to-day with her and the children and they are now going to the Hippodrome. "'Stop, look, and listen! Back of the bar I see two men in a room, but they did not see me. One is Tim Meehan, the other is a stenographer. He is taking notes. Each of them has on the ear-muffs of a dictagraph. Looks like you'd better watch your step and not say nothing you don't want Tammany to print.'" The voice of Mrs. Earle rose in a shrill shriek. "Him--a gilded saint?" she screamed; "you big stiff! He knew he was talking into a dictagraph all the time--and he double-crossed us!" End of Project Gutenberg's Somewhere in France, by Richard Harding Davis *** END OF THIS PROJECT GUTENBERG EBOOK SOMEWHERE IN FRANCE *** ***** This file should be named 11144.txt or 11144.zip ***** This and all associated files of various formats will be found in: http://www.gutenberg.net/1/1/1/4/11144/ Produced by Steven desJardins and Distributed Proofreaders Updated editions will replace the previous one--the old editions will be renamed. Creating the works from public domain print editions means that no one owns a United States copyright in these works, so the Foundation (and you!) can copy and distribute it in the United States without permission and without paying copyright royalties. Special rules, set forth in the General Terms of Use part of this license, apply to copying and distributing Project Gu
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