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e woman. She notices the effect she produces upon her husband, and both to avenge herself for his neglect and to win his admiration for the lover from whom she has received, so to speak, the treasures of her intellect, she exerts herself, and becomes actually dazzling. The husband, better able than any one else to appreciate a species of compensation which may have some influence on his future, is led to think that the passions of women are really necessary to their mental culture. But how shall we treat those compensations which are most pleasing to husbands? Between the moment when the last symptoms appear, and the epoch of conjugal peace, which we will not stop to discuss, almost a dozen years have elapsed. During this interval and before the married couple sign the treaty which, by means of a sincere reconciliation of the feminine subject with her lawful lord, consecrates their little matrimonial restoration, in order to close in, as Louis XVIII said, the gulf of revolutions, it is seldom that the honest woman has but one lover. Anarchy has its inevitable phases. The stormy domination of tribunes is supplanted by that of the sword and the pen, for few loves are met with whose constancy outlives ten years. Therefore, since our calculations prove that an honest woman has merely paid strictly her physiological or diabolical dues by rendering but three men happy, it is probable that she has set foot in more than one region of love. Sometimes it may happen that in an interregnum of love too long protracted, the wife, whether from whim, temptation or the desire of novelty, undertakes to seduce her own husband. Imagine charming Mme. de T-----, the heroine of our Meditation of _Strategy_, saying with a fascinating smile: "I never before found you so agreeable!" By flattery after flattery, she tempts, she rouses curiosity, she soothes, she rouses in you the faintest spark of desire, she carries you away with her, and makes you proud of yourself. Then the right of indemnifications for her husband comes. On this occasion the wife confounds the imagination of her husband. Like cosmopolitan travelers she tells tales of all the countries which she had traversed. She intersperses her conversation with words borrowed from several languages. The passionate imagery of the Orient, the unique emphasis of Spanish phraseology, all meet and jostle one another. She opens out the treasures of her notebook with all the mysteries o
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