ar melon like
that even after paying for it, and it was still more trying, also more
expensive, to explain to the boys facing the various bars along C Street.

Sam Clemens, himself a practical joker in his youth, found a healthy
delight in this knock-down humor of the Comstock. It appealed to his
vigorous, elemental nature. He seldom indulged physically in such
things; but his printed squibs and hoaxes and his keen love of the
ridiculous placed him in the joker class, while his prompt temper, droll
manner, and rare gift of invective made him an enticing victim.

Among the Enterprise compositors was one by the name of Stephen E. Gillis
(Steve, of course--one of the "fighting Gillises"), a small, fearless
young fellow, handsome, quick of wit, with eyes like needle-points.

"Steve weighed only ninety-five pounds," Mark Twain once wrote of him,
"but it was well known throughout the Territory that with his fists he
could whip anybody that walked on two legs, let his weight and science be
what they might."

Clemens was fond of Steve Gillis from the first. The two became closely
associated in time, and were always bosom friends; but Steve was a
merciless joker, and never as long as they were together could he "resist
the temptation of making Sam swear," claiming that his profanity was
grander than any music.

A word hereabout Mark Twain's profanity. Born with a matchless gift of
phrase, the printing-office, the river, and the mines had developed it in
a rare perfection. To hear him denounce a thing was to give one the
fierce, searching delight of galvanic waves. Every characterization
seemed the most perfect fit possible until he applied the next. And
somehow his profanity was seldom an offense. It was not mere idle
swearing; it seemed always genuine and serious. His selection of epithet
was always dignified and stately, from whatever source--and it might be
from the Bible or the gutter. Some one has defined dirt as misplaced
matter. It is perhaps the greatest definition ever uttered. It is
absolutely universal in its application, and it recurs now, remembering
Mark Twain's profanity. For it was rarely misplaced; hence it did not
often offend. It seemed, in fact, the safety-valve of his high-pressure
intellectual engine. When he had blown off he was always calm, gentle;
forgiving, and even tender. Once following an outburst he said,
placidly:

"In certain trying circumstances, urgent circumstances, desperate
circumstanc