rine proportions, in so
artistic a way, that, after watching the process hour by hour, one is
almost involuntarily possessed by the notion, that some more subtle aid
to vision than an achromatic, would show the hidden artist, with his
plan before him, striving with skilful manipulation to perfect his work.

As life advances, and the young amphibian ranges the waters, the terror
of his insect contemporaries, not only are the nutritious particles
supplied by its prey, by the addition of which to its frame, growth
takes place, laid down, each in its proper spot, and in such due
proportion to the rest, as to reproduce the form, the colour, and the
size, characteristic of the parental stock; but even the wonderful
powers of reproducing lost parts possessed by these animals are
controlled by the same governing tendency. Cut off the legs, the tail,
the jaws, separately or all together, and, as Spallanzani showed long
ago, these parts not only grow again, but the redintegrated limb is
formed on the same type as those which were lost. The new jaw, or leg,
is a newt's, and never by any accident more like that of a frog. What is
true of the newt is true of every animal and of every plant; the acorn
tends to build itself up again into a woodland giant such as that from
whose twig it fell; the spore of the humblest lichen reproduces the
green or brown incrustation which gave it birth; and at the other end of
the scale of life, the child that resembled neither the paternal nor the
maternal side of the house would be regarded as a kind of monster.

So that the one end to which, in all living beings, the formative
impulse is tending--the one scheme which the Archaeus of the old
speculators strives to carry out, seems to be to mould the offspring
into the likeness of the parent. It is the first great law of
reproduction, that the offspring tends to resemble its parent or
parents, more closely than anything else.

Science will some day show us how this law is a necessary consequence
of the more general laws which govern matter; but, for the present, more
can hardly be said than that it appears to be in harmony with them. We
know that the phenomena of vitality are not something apart from other
physical phenomena, but one with them; and matter and force are the two
names of the one artist who fashions the living as well as the
lifeless. Hence living bodies should obey the same great laws as other
matter--nor, throughout Nature, is there