FREE BOOKS

Author's List




PREV.   NEXT  
|<   33   34   35   36   37   38   39   40   41   42   43   44   45   46   47   48   49   50   51   52   53   54   55   56   57  
58   59   60   61   62   63   64   65   66   67   68   69   70   71   72   73   74   75   76   77   78   79   80   81   82   >>   >|  
ocking ceases, and a voice, sweetly reassuring in its gentle plaintiveness, asks meekly: "Pa, may I get up?" You do not hear the other voice, but the responses are: "No, it was only the bath--no, she ain't really hurt,--only wet, you know. Yes, ma, I'll tell 'em what you say. No, it was a pure accident. Yes; good-night, papa." Then the same voice, exerting itself so as to be heard in a distant part of the house, remarks: "You've got to come upstairs again. Pa says it isn't time yet to get up." You return to bed, and lie listening to somebody being dragged upstairs, evidently against their will. By a thoughtful arrangement the spare rooms at "Beggarbush" are exactly underneath the nurseries. The same somebody, you conclude, still offering the most creditable opposition, is being put back into bed. You can follow the contest with much exactitude, because every time the body is flung down upon the spring mattress, the bedstead, just above your head, makes a sort of jump; while every time the body succeeds in struggling out again, you are aware by the thud upon the floor. After a time the struggle wanes, or maybe the bed collapses; and you drift back into sleep. But the next moment, or what seems to be the next moment, you again open your eyes under the consciousness of a presence. The door is being held ajar, and four solemn faces, piled one on top of the other, are peering at you, as though you were some natural curiosity kept in this particular room. Seeing you awake, the top face, walking calmly over the other three, comes in and sits on the bed in a friendly attitude. "Oh!" it says, "we didn't know you were awake. I've been awake some time." "So I gather," you reply, shortly. "Pa doesn't like us to get up too early," it continues. "He says everybody else in the house is liable to be disturbed if we get up. So, of course, we mustn't." The tone is that of gentle resignation. It is instinct with the spirit of virtuous pride, arising from the consciousness of self-sacrifice. "Don't you call this being up?" you suggest. "Oh, no; we're not really up, you know, because we're not properly dressed." The fact is self-evident. "Pa's always very tired in the morning," the voice continues; "of course, that's because he works hard all day. Are you ever tired in the morning?" At this point he turns and notices, for the first time, that the three other children have also entered, and are s
PREV.   NEXT  
|<   33   34   35   36   37   38   39   40   41   42   43   44   45   46   47   48   49   50   51   52   53   54   55   56   57  
58   59   60   61   62   63   64   65   66   67   68   69   70   71   72   73   74   75   76   77   78   79   80   81   82   >>   >|  



Top keywords:

moment

 

consciousness

 

upstairs

 

continues

 

gentle

 
morning
 

walking

 

Seeing

 
children
 

calmly


curiosity

 

solemn

 

presence

 
notices
 

natural

 
friendly
 

peering

 

entered

 
properly
 

suggest


resignation

 

dressed

 

instinct

 

spirit

 

sacrifice

 

arising

 

virtuous

 

evident

 
shortly
 

gather


liable

 
disturbed
 

attitude

 

distant

 

remarks

 

exerting

 

evidently

 

dragged

 

listening

 

return


accident

 

meekly

 

plaintiveness

 
ocking
 

ceases

 

sweetly

 
reassuring
 
responses
 

thoughtful

 

succeeds