FREE BOOKS

Author's List




PREV.   NEXT  
|<   71   72   73   74   75   76   77   78   79   80   81   82   83   84   85   86   87   88   89   90   91   92   93   94   95  
96   97   98   99   100   101   102   103   104   105   106   107   108   109   110   111   112   113   114   115   116   117   118   119   120   >>   >|  
, I found him bathed in perspiration, writing away for dear life. He motioned me to remain silent, and went on writing. Presently he jumped up, and exclaimed triumphantly, "I have got it! I have got it at last!" He then showed me the words he was setting to music. They began: "Forty years on, when afar and asunder, Parted are those who are singing to-day." "I wrote another tune to it first," explained Farmer, "a bright tune, a regular bell-tinkle" (his invariable expression for a catchy tune), "but Bowen's words are too fine for that. They want something hymn-like, something grand, and now I've found it. Listen!" and Farmer played me that majestic, stately melody which has since been heard in every country and in every corner of the globe, wherever two old Harrovians have come together. Some people may recall how, during the Boer War, "Forty years on" was sung by two mortally wounded Harrovians on the top of Spion Kop just before they died. To my great regret my voice had broken then, else it is quite possible that Farmer might have selected me to sing "Forty years on" for the very first time. As it was, that honour fell to a boy named A.M. Wilkinson, who had a remarkably sweet voice. John Farmer's eccentricities were, I think, all assumed. He thought they helped him to manage the boys. I sang in the chapel choir, and he circulated the quaintest little notes amongst us, telling us how he wished the Psalms sung. "Psalm 136, quite gaily and cheerfully; Psalm 137, very slowly and sorrowfully; Psalm 138, real merry bell-tinkle, with plenty of organ.--J. F." Long after I had left, Farmer continued to pour out a ceaseless flow of school songs. Of course they varied in merit, but in some, such as "Raleigh," and "Five Hundred Faces," he managed to touch some subtle chord of sympathy that makes them very dear to those who heard them in their youth. After Farmer left Harrow for Oxford, his successor, Eaton Faning, worthily continued the traditions. All Eaton Failing's songs are melodious, but in two of them, "Here, sir!" and "Pray, charge your glasses, gentlemen," he reaches far higher levels. The late E.W. Howson's words to "Here, sir!" seem to strike exactly the right note for boys. They are fine and virile, with underlying sentiment, yet free from the faintest suspicion of mawkish sentimentality. Two of the verses are worth quoting: "Is it nought--our long procession, Father, brother, friend, an
PREV.   NEXT  
|<   71   72   73   74   75   76   77   78   79   80   81   82   83   84   85   86   87   88   89   90   91   92   93   94   95  
96   97   98   99   100   101   102   103   104   105   106   107   108   109   110   111   112   113   114   115   116   117   118   119   120   >>   >|  



Top keywords:

Farmer

 

tinkle

 

continued

 

Harrovians

 

writing

 

subtle

 
Raleigh
 

managed

 

Hundred

 

varied


cheerfully
 

slowly

 

sorrowfully

 

Psalms

 

telling

 

wished

 

ceaseless

 

plenty

 
school
 

charge


faintest

 
mawkish
 

suspicion

 

sentiment

 

underlying

 
strike
 

virile

 
sentimentality
 

Father

 

procession


brother

 

friend

 

verses

 

quoting

 

nought

 

Howson

 

worthily

 
Faning
 

traditions

 

Failing


successor
 
Oxford
 

Harrow

 
melodious
 
levels
 
higher
 

quaintest

 

glasses

 

gentlemen

 

reaches