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ein so tightly that his nails cut into the opposing palm. Above the clatter of noisy conversation rose the fiddler's voice:-- "Swing yo' pa'dners; doan be shy, Look yo' lady in de eye! Th'ow yo' ahm aroun' huh wais'; Take yo' time--dey ain' no has'e!" To the middle of the floor, in full view through an open window, advanced the woman who all day long had been the burden of his thoughts--not pale with grief and hollow-eyed with weeping, but flushed with pleasure, around her waist the arm of a burly, grinning mulatto, whose face was offensively familiar to Tryon. With a muttered curse of concentrated bitterness, Tryon struck the mare a sharp blow with the whip. The sensitive creature, spirited even in her great weariness, resented the lash and started off with the bit in her teeth. Perceiving that it would be difficult to turn in the narrow roadway without running into the ditch at the left, Tryon gave the mare rein and dashed down the street, scarcely missing, as the buggy crossed the bridge, a man standing abstractedly by the old canal, who sprang aside barely in time to avoid being run over. Meantime Rena was passing through a trying ordeal. After the first few bars, the fiddler plunged into a well-known air, in which Rena, keenly susceptible to musical impressions, recognized the tune to which, as Queen of Love and Beauty, she had opened the dance at her entrance into the world of life and love, for it was there she had met George Tryon. The combination of music and movement brought up the scene with great distinctness. Tryon, peering angrily through the cedars, had not been more conscious than she of the external contrast between her partners on this and the former occasion. She perceived, too, as Tryon from the outside had not, the difference between Wain's wordy flattery (only saved by his cousin's warning from pointed and fulsome adulation), and the tenderly graceful compliment, couched in the romantic terms of chivalry, with which the knight of the handkerchief had charmed her ear. It was only by an immense effort that she was able to keep her emotions under control until the end of the dance, when she fled to her chamber and burst into tears. It was not the cruel Tryon who had blasted her love with his deadly look that she mourned, but the gallant young knight who had worn her favor on his lance and crowned her Queen of Love and Beauty. Tryon's stay in Patesville w
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