me back to
him as he looked round. He recalled the stainless purity of his boyish
life, and it seemed horrible to him that it was here the fatal portrait
was to be hidden away. How little he had thought, in those dead days,
of all that was in store for him!
But there was no other place in the house so secure from prying eyes as
this. He had the key, and no one else could enter it. Beneath its
purple pall, the face painted on the canvas could grow bestial, sodden,
and unclean. What did it matter? No one could see it. He himself
would not see it. Why should he watch the hideous corruption of his
soul? He kept his youth--that was enough. And, besides, might not
his nature grow finer, after all? There was no reason that the future
should be so full of shame. Some love might come across his life, and
purify him, and shield him from those sins that seemed to be already
stirring in spirit and in flesh--those curious unpictured sins whose
very mystery lent them their subtlety and their charm. Perhaps, some
day, the cruel look would have passed away from the scarlet sensitive
mouth, and he might show to the world Basil Hallward's masterpiece.
No; that was impossible. Hour by hour, and week by week, the thing
upon the canvas was growing old. It might escape the hideousness of
sin, but the hideousness of age was in store for it. The cheeks would
become hollow or flaccid. Yellow crow's feet would creep round the
fading eyes and make them horrible. The hair would lose its
brightness, the mouth would gape or droop, would be foolish or gross,
as the mouths of old men are. There would be the wrinkled throat, the
cold, blue-veined hands, the twisted body, that he remembered in the
grandfather who had been so stern to him in his boyhood. The picture
had to be concealed. There was no help for it.
"Bring it in, Mr. Hubbard, please," he said, wearily, turning round.
"I am sorry I kept you so long. I was thinking of something else."
"Always glad to have a rest, Mr. Gray," answered the frame-maker, who
was still gasping for breath. "Where shall we put it, sir?"
"Oh, anywhere. Here: this will do. I don't want to have it hung up.
Just lean it against the wall. Thanks."
"Might one look at the work of art, sir?"
Dorian started. "It would not interest you, Mr. Hubbard," he said,
keeping his eye on the man. He felt ready to leap upon him and fling
him to the ground if he dared to lift the gorgeous hanging
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