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unannounced, and the old man, who had tramped up with his grandson from a great distance to see the new Democratic President, found his way into the large hall of the capital. Now he was evidently much puzzled to know which in our little group of eight or ten persons was that President. He soon held the right man's hand, and truly touching he was in his allegiance. He had waited for many a weary year, he said, for the advent of the Democratic party, and at last this happy day had dawned upon him and his beloved country. I made a rapid sketch of him, for he was a type well worth recording; Cleveland liked it, so I naturally gave it him. All this was in the first days of November 1884. It was not till the following February, when I again visited Albany, that I found myself installed in the bedroom above mentioned. The President-elect was living in a very small house in Willet Street, what we should call a bijou residence. The people had nicknamed it the Casket, if I recollect right, and it was certainly not much bigger than a receptacle of that description. Cleveland had very kindly consented to let me paint a head of him. An opportunity of doing so was only to be found in the little house, and we entrenched ourselves in the bedroom against the intrusions of office-seekers and office-bearers, enthusiastic supporters, cranks and faddists, and, though last not least, young ladies with albums and birthday-books. "Well, Mr. Cleveland," I said, as I started full speed to cover my canvas, "I'm not going to apologise for troubling you; I'm sure you must be quite pleased to have for once in the way a man come to view you, not to interview you. It must be a relief too, to know that I'm not going to rush off after the sitting, and send telegrams and cables all over the place, to let an expectant public know what you said." He answered, "I am glad that is so." Then for a while our conversation ran on art and other peaceful pursuits of man. Seeing a good opening I led up to the question ever uppermost in my mind,--that of international arbitration as against the arbitrament of the sword, and of the institution of a permanent tribunal between the United States and England. And here let me say in parenthesis, it is a glorious profession, that of the portrait-painter; he can button-hole his man and keep him a fixture, whilst he indoctrinates and prods him with truths, from which, under other circumstances, his victim would
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