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e an Elizabethan to tears, so petty and mean are they, and so incapable of radiation. We English people would suffer no loss in kindliness and tolerance were the inglenook restored to our homes. The ingle humanises. Although the father of the family no longer, as in ancient Greece, performs on the hearth religious rites, yet it is still a sacred spot. Lovers whisper there, and there friends exchange confidences. Husband and wife face the fire hand in hand. The table is for wit and good humour, the hearth is for something deeper and more personal. The wisest counsels are offered beside the fire, the most loving sympathy and comprehension are there made explicit. It is the scene of the best dual companionship. The fire itself is a friend, having the prime attribute--warmth. One of the most human passages of that most human poem, _The Deserted Village_, tells how the wanderer was now and again taken by the memory of the hearth of his distant home:-- "I still had hopes my latest hours to crown, Amidst these humble bowers to lay me down ... Around my fire an evening group to draw, And tell of all I felt, and all I saw...." Only by the fireside could a man so unbosom himself. A good fire extracts one's best; it will not be resisted. FitzGerald's "Meadows in Spring" contains some of the best fireside stanzas:-- "Then with an old friend I talk of our youth-- How 'twas gladsome, but often Foolish, forsooth: But gladsome, gladsome! Or to get merry We sing some old rhyme, That made the wood ring again In summer time-- Sweet summer time! Then we go to drinking, Silent and snug; Nothing passes between us Save a brown jug-- Sometimes! And sometimes a tear Will rise in each eye, Seeing the two old friends So merrily-- So merrily!" The hearth also is for ghost stories; indeed, a ghost story demands a fire. If England were warmed wholly by hot-water pipes or gas stoves, the Society for Psychical Research would be dissolved. Gas stoves are poor comforters. They heat the room, it is true, but they do so after a manner of their own, and there they stop. For encouragement, for inspiration, you seek the gas stove in vain. Who could be witty, who could be humane, before a gas stove? It does so little for the eye and nothing for the imagination; its flame is so artificial and restricted a
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