FREE BOOKS

Author's List




PREV.   NEXT  
|<   170   171   172   173   174   175   176   177   178   179   180   181   182   183   184   185   186   187   188   189   190   191   192   193   194  
195   196   197   198   199   200   201   202   203   204   205   206   207   208   209   210   211   212   213   214   >>  
harmonised and explained life, joy and disaster alike, to have wound up a clue, to have brought it all to a peaceful and perfect climax of silence, like a tale that is told; and then it was necessary to go out to the world again with all its bitterness, its weariness, its dissatisfaction--till one almost wondered whether it was wise or brave to have chased and captured this strange phantom of imagined peace. Yes, it was wise sometimes, Hugh felt sure! to have refused it would have been like refusing to drink from a cool and bubbling wayside spring, as one fared on a hot noon over the shimmering mountain-side--refused, in a spirit of false austerity, for fear that one would thirst again through the dreary leagues ahead. As long as one remembered that it was but an imagined peace, that one had not attained it, it was yet well to remember that the peace was real, that it existed somewhere, even though it was still shut within the heart of God. However slow the present progress, however long the road, it was possible to look forward in hope, to know that one would move more blithely and firmly when the time should come for the desired peace to be given one more abundantly; it helped one, as one stumbled and lingered, to look a little further on, and to say, "I will run the way of Thy commandments, when Thou hast set my heart at liberty." XXXIV Pictorial Art--Hand and Soul--Turner--Raphael--Secrets of Art Hugh's professional life had given him little opportunity for indulging artistic tastes. He had been very fond as a boy of sketching, especially architectural subjects; it had trained his powers of observation; but there had come a time when, as a young man, he had deliberately laid his sketching aside. The idea in his mind had been that if one desired to excel in any form of artistic expression, one must devote all one's artistic faculty to that. He had been conscious of a certain diffuseness of taste, a love of music and a love of pictorial art being both strong factors in his mind; but he was also dimly conscious that he matured slowly; that he had none of the facile grasp of difficult things which characterised some of his more able companions; his progress was always slow, and he arrived at mastery through a long wrestling with inaccuracy and half knowledge; his perception was quick, but his grasp feeble, while his capacity for forgetting and losing his hold on things was great. He therefore made
PREV.   NEXT  
|<   170   171   172   173   174   175   176   177   178   179   180   181   182   183   184   185   186   187   188   189   190   191   192   193   194  
195   196   197   198   199   200   201   202   203   204   205   206   207   208   209   210   211   212   213   214   >>  



Top keywords:

artistic

 

progress

 

conscious

 
sketching
 

refused

 
imagined
 

desired

 

things

 

subjects

 
trained

commandments

 

observation

 

powers

 

opportunity

 

indulging

 

professional

 

Secrets

 
Turner
 
tastes
 
Raphael

liberty

 

Pictorial

 
architectural
 

devote

 

arrived

 

mastery

 

wrestling

 
inaccuracy
 

companions

 

difficult


facile

 

characterised

 

knowledge

 

losing

 

forgetting

 

capacity

 

perception

 
feeble
 

slowly

 
expression

faculty

 

diffuseness

 

factors

 

strong

 

matured

 

pictorial

 

deliberately

 

forward

 

captured

 

strange