Middle Ages.
_See_ Romanesque

Cespedes, Pablo de, 213-214

Charles I., and Rubens, 164;
and Vandyck, 172-173;
portraits by Vandyck, 174;
and Dobson, 249

Charles II. and Lely, 251

Charles IV. and Goya, 232

Charles V., and Titian, 124, 126-127;
and Duerer, 199-201;
and Berreguette, 209

Charles X., and Gros, 242;
and Vernet, 246

Chartres Cathedral, glass-painting in, 53

"Chevy Chase" (Landseer), 296-298

"Chief's (The) Return from Deer-stalking" (Landseer), 298

Christ, paintings by Joanes of, 229

"Christ Bearing the Cross" (Morales), 210

"Christ Blessing Little Children" (Rembrandt), 186

"Christ Crowned with Thorns" (Morales), 210

"Christ Healing the Sick" (West), 266

"Christ in Glory" (Correggio), 134

Christian art. _See_ Early

Church decoration in Gothic period of Middle Ages, 60

Cimabue, G., 61-64

Cistercian monks, painted windows in churches of, 54

Clay used by Babylonian tile-painters, 12

Clement VII., portrait by Titian, 124

Club of St. Luke founded by Vandyck, 173

Coello, Alonso Sanchez, 210

Coello, Claudio, 208, 212-213

"Collocation of the Host" (Coello), 213

Cologne school of art, 188

Colonna, Vittoria, friendship with Michael Angelo, 103

Colors, Egyptian rules for use of, 5-7;
in Assyrian paintings, 11;
in Pompeian wall-paintings, 32;
in illumination, 47;
Raphael's skill in, 110;
discoveries by Hubert van Eyck in use of, 156

"Communion of St. Jerome" (Domenichino), 141

"Condemnation of Marie Antoinette" (Delaroche), 242

Consalvi, Cardinal, portrait by Lawrence, 271

Cook's "Southern Coast," illustrated by Turner, 282

Cooper, Samuel, 249

Copley, John Singleton, 259-264

"Copley Family" (Copley), 264

Corday, Charlotte, portrait by Goya, 233

Cornaro, Caterina, portrait by Titian, 124

Correggio, 132-139

"Cottage Door" (Gainsborough), 258

"Cottage Girl" (Gainsborough), 258

Court influence upon art during Romanesque period, 50

Coxie, Michael, copies Van Eyck's altar-piece for Philip I., 156

Cranach, Lucas, 202

"Cromwell at the House of Sir Walter Stewart" (Landseer), 293

"Cromwell Contemplating the Remains of Charles I." (Delaroche), 242

Cromwell's directions to Lely for painting his portrait, 251

Crucifixion as represented by Giotto, 68-69

"Crucifixion" (Fra Angelico), 75-76

"Crucifixion" (Tintoretto), 130

"Crucifixion" (Vandyck), 169, 171

"Crucifixion of St. Peter" (Bour