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he Little Peddlington Cricket Club, although it was all owing to young Jemmy Black, whose bowling, when the Inimitables went in to make their final effort, was on a par with his magnificent batting. We had finished our second innings just before lunch time; so immediately after that meal the great travelling team, who were going to do such wonders when they came to annihilate the Little Peddlingtonians--I can't help crowing a little now it is all over--went to the wickets to finish the match, or spin it out, if they could, so that it might end in a draw. Young Black was all there, however, and so was I, too, for, whether by his example or what, I know not, I never bowled so well before or since in my life. Really, between us two, and the efficient assistance of our fieldsmen, who seemed also spurred up to extra exertions, even Charley Bates and Tom Atkins distinguishing themselves for their quickness of eye and fleetness of foot, the Piccadilly Inimitables got all put out long before time was called, for the inglorious total of our own first innings--fifty-nine. Hurrah! We had conquered by a hundred and thirty-two runs, and licked the most celebrated amateur club in England. It would be a vain task to try and recount our delighted surprise, so I'll leave it alone. Thenceforward the rest of the chronicles of the Little Peddlington Cricket Club are they not written in gold? At all events, I know this, that we never forgot what happened to us in that ever-memorable match, with only "Our Scratch Eleven." End of the Project Gutenberg EBook of Tom Finch's Monkey, by John C. Hutcheson *** END OF THIS PROJECT GUTENBERG EBOOK TOM FINCH'S MONKEY *** ***** This file should be named 21097.txt or 21097.zip ***** This and all associated files of various formats will be found in: http://www.gutenberg.org/2/1/0/9/21097/ Produced by Nick Hodson of London, England Updated editions will replace the previous one--the old editions will be renamed. Creating the works from public domain print editions means that no one owns a United States copyright in these works, so the Foundation (and you!) can copy and distribute it in the United States without permission and without paying copyright royalties. Special rules, set forth in the General Terms of Use part of this license, apply to copying and distributing Project Gutenberg-tm electronic works to protect the PROJECT GUTENBERG-tm concept and trademark.
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