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The Project Gutenberg EBook of Ancient Art and Ritual, by Jane Ellen Harrison This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.net Title: Ancient Art and Ritual Author: Jane Ellen Harrison Release Date: November 18, 2005 [EBook #17087] Language: English Character set encoding: ASCII *** START OF THIS PROJECT GUTENBERG EBOOK ANCIENT ART AND RITUAL *** Produced by Thierry Alberto, Juliet Sutherland, Louise Pryor and the Online Distributed Proofreading Team at http://www.pgdp.net {Transcriber's Note: This e-text contains a number of unusual characters which are represented as follows: {-a} a-macron {-e} e-macron {)e} e-caron {-i} i-macron oe ligatures have been unpacked.} _Ancient Art and Ritual_ JANE ELLEN HARRISON _Geoffrey Cumberlege_ OXFORD UNIVERSITY PRESS LONDON NEW YORK TORONTO _First published in 1913, and reprinted in 1918 (revised), 1919, 1927, 1935 and 1948_ PRINTED IN GREAT BRITAIN PREFATORY NOTE It may be well at the outset to say clearly what is the aim of the present volume. The title is _Ancient Art and Ritual_, but the reader will find in it no general summary or even outline of the facts of either ancient art or ancient ritual. These facts are easily accessible in handbooks. The point of my title and the real gist of my argument lie perhaps in the word "_and_"--that is, in the intimate connection which I have tried to show exists between ritual and art. This connection has, I believe, an important bearing on questions vital to-day, as, for example, the question of the place of art in our modern civilization, its relation to and its difference from religion and morality; in a word, on the whole enquiry as to what the nature of art is and how it can help or hinder spiritual life. * * * * * I have taken Greek drama as a typical instance, because in it we have the clear historical case of a great art, which arose out of a very primitive and almost world-wide ritual. The rise of the Indian drama, or the mediaeval and from it the modern stage, would have told us the same tale and served the like purpose. But Greece is nearer to us to-day than either India or the Middle Ages.
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