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by." Yes, Edith had guessed right, so she ran out of the room. When she came back the children all looked and looked. Who could she be? She hadn't changed herself one bit, and she only stood still and looked at them. "We are caught this time," laughed Miss Smith. Just then a little girl in the back of the room jumped up and said: "Oh, see the curl in the middle of her forehead! I know who she is! 'There was a little girl, And she had a little curl. And it hung right down on her forehead. When she was good She was very good indeed; But when she was bad she was horrid.'" Tommy went out next, and when he came back he had a little toy pig under his arm. "I can think of ever so many pigs in Mother Goose," said Alice. "Have you been to market, Tommy?" "No, no," said Tommy, "I did not buy this good fat pig." "I know who you are, and where you got your pig," laughed Jill. "Tom, Tom, the piper's son, Stole a pig and away he run." Mistress Mary came in with her watering pot to water her flowers. Boy Blue was quickly guessed because he had a horn. Just as Jack and Jill came in with a pail of water, the bell rang. It was time to go home! Every one of the children was sorry not to see all of the book. "Some day we will play this game again," said Miss Smith. "Then we can see the rest of the pages." As they ran home together they were all talking of the new game. That night they got out their Mother Goose books and read them through, so that the next time they would be sure to guess every rhyme. End of the Project Gutenberg EBook of Boy Blue and His Friends by Etta Austin Blaisdell and Mary Frances Blaisdell *** END OF THIS PROJECT GUTENBERG EBOOK BOY BLUE AND HIS FRIENDS *** ***** This file should be named 16046.txt or 16046.zip ***** This and all associated files of various formats will be found in: http://www.gutenberg.org/1/6/0/4/16046/ Produced by Juliet Sutherland, Anuradha Valsa Raj, Leonard Johnson and the Online Distributed Proofreading Team at http://www.pgdp.net Updated editions will replace the previous one--the old editions will be renamed. Creating the works from public domain print editions means that no one owns a United States copyright in these works, so the Foundation (and you!) can copy and distribute it in the United States without permission and without paying copyright royalties. Special rules, set forth in the General
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