leanor did not write Albertina during the time when she was living in
the studio. Some curious inversion of pride kept her silent on the
subject of the change in her life. Albertina would have turned up her
nose at the studio, Eleanor knew. Therefore, she would not so much as
address an envelope to that young lady from an interior which she
would have beheld with scorn. She held long conversations with
Gwendolyn, taking the part of Albertina, on the subject of this
snobbishness of attitude.

* * * * *

"Lots of people in New York have to live in little teny, weeny rooms,
Albertina," she would say. "Rents are perfectly awful here. This
studio is so big I get tired dusting all the way round it, and even if
it isn't furnished very much, why, think how much furnishing would
cost, and carpets and gold frames for the pictures! The pictures that
are in here already, without any frames, would sell for hundreds of
dollars apiece if the painter could get anybody to buy them. You ought
to be very thankful for such a place, Albertina, instead of feeling so
stuck up that you pick up your skirts from it."

* * * * *

But Albertina's superiority of mind was impregnable. Her spirit sat in
judgment on all the conditions of Eleanor's new environment. She
seemed to criticize everything. She hated the nicked, dun colored
dishes they ate from, and the black bottomed pots and pans that all
the energy of Eleanor's energetic little elbow could not restore to
decency again. She hated the cracked, dun colored walls, and the
mottled floor that no amount of sweeping and dusting seemed to make an
impression on. She hated the compromise of housekeeping in an
attic,--she who had been bred in an atmosphere of shining
nickle-plated ranges and linoleum, where even the kitchen pump gleamed
brightly under its annual coat of good green paint. She hated the
compromise, that was the burden of her complaint--either in the person
of Albertina or Gwendolyn, whether she lay in the crook of Eleanor's
arm in the lumpy bed where she reposed at the end of the day's labor,
or whether she sat bolt upright on the lumpy cot in the studio, the
broken bisque arm, which Jimmie insisted on her wearing in a sling
whenever he was present, dangling limply at her side in the relaxation
Eleanor preferred for it.

The fact of not having adequate opportunity to keep her house in order
trouble