d all earthly
goods, and who sees himself in danger of becoming a slave. "The
humiliating and degrading emotions of play" threaten, he says, to
undermine his intellectual and moral faculties; his "miserable
weakness" degrades him in his own eyes; conscience, reason,
self-respect, interest, call upon him to fight against it and destroy
it. From high play at cards to gambling on the Bourse there is but a
step. Cavour embarked in a speculation the success of which depended
on the outbreak of war in the East, which he believed to be imminent.
No war occurred, and the loss of a few hundred pounds obliged him to
apply to his father for supplies. The Marquis sent the money, and
wrote good-naturedly that the mishap might teach Camille to moderate
his belief in his own infallibility. He thought himself the only young
man in the world in whom there was a ready-made minister, banker,
manufacturer, and speculator; and if he did not take care the idea
that he could never be wrong might prevent him from turning to account
the superior gifts with which he was undoubtedly endowed. But the
kindliness of the reproof did not lessen his own sense of shame and
mortification. The lesson was useful; he forsook the Bourse, and at
cards he conquered the passion without giving up the game. Rightly or
wrongly it was said that many years after he played high stakes at
whist with political men to gain an insight into their characters.
In any case there is nothing to show that his fondness for play ever
again led him into excesses which his judgment condemned. He had
recovered his freedom.

Cavour invariably ended his visits to Paris by crossing the Channel,
and, if in the French capital he gained greater knowledge of men, it
was in England that he first grew familiar with the public life which
he considered a pattern for the world. He did not find the delightful
social intercourse to be enjoyed in Paris; in fact, not one of the
persons to whom he brought letters of introduction took the least
notice of him. English society is quicker to run after celebrities
than to discern them in embryo. But the two or three Englishmen whom
he already knew were active in his behalf. William Brokedon, his
old friend the painter, conducted him to the dinner of the Royal
Geographical Society, where a curious thing happened. Cavour's first
essay in public speaking was before an English assembly. After several
toasts had been duly honoured, the Secretary of the Socie