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The Project Gutenberg EBook of Poetical Works of Edmund Waller and Sir John Denham, by Edmund Waller; John Denham This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.net Title: Poetical Works of Edmund Waller and Sir John Denham Author: Edmund Waller; John Denham Release Date: May 10, 2004 [EBook #12322] Language: English Character set encoding: ASCII *** START OF THIS PROJECT GUTENBERG EBOOK POETICAL WORKS *** Produced by Jonathan Ingram, Carol David and PG Distributed Proofreaders POETICAL WORKS OF EDMUND WALLER AND SIR JOHN DENHAM. WITH MEMOIR AND DISSERTATION, BY THE REV. GEORGE GILFILLAN. M.DCCC.LVII. THE LIFE OF EDMUND WALLER. It is too true, after all, that the lives of poets are not, in general, very interesting. Could we, indeed, trace the private workings of their souls, and read the pages of their mental and moral development, no biographies could be richer in instruction, and even entertainment, than those of our greater bards. The inner life of every true poet must be poetical. But in proportion to the romance of their souls' story, is often the commonplace of their outward career. There have been poets, however, whose lives are quite as readable and as instructive as their poetry, and have even shed a reflex and powerful interest on their writings. The interest of such lives has, in general, proceeded either from the extraordinary misfortunes of the bard, or from his extremely bad morals, or from his strange personal idiosyncrasy, or from his being involved in the political or religious conflicts of his age. The life of Milton, for instance, is rendered intensely interesting from his connexion with the public affairs of his critical and solemn era. The life of Johnson is made readable from his peculiar conformation of body, his bear-like manners, his oddities, and his early struggles. You devour the life of Gifford, not because he was a poet, but because he was a shoemaker; and that of Byron, more on account of his vices, his peerage, and his domestic unhappiness, than for the sake of his poetry. And in Waller, too, you feel some supplemental interest, because he united what are usually thought the incompatible characters of a poet and a political
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