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had been summoned again by Mr. Clarkson. Another wonderful piece of carpeting had gone out from the works, discovered by our agent before it had left our warehouse. It was the Water-Lily pattern,--lilies sitting among green leaves with sunshine playing in and out and among them. So dazzling it seemed, that it shed a light all round the darkened walls of the warehouse. It was priceless, he thought, a perfect unique. Better, almost, that never such a pattern should appear again. It ought to remain the only one in the world. And it did so remain. The rival establishment built a new chimney to their mill, which shut out completely all sunshine or hope of sunshine from our narrow windows. This was accomplished before the next May, and I showed Mr. Clarkson how utterly impossible it was for the most determined sunbeam ever to mingle itself with our most inviting fabrics. Mr. Clarkson pondered a long time. We might build our establishment a story higher; we might attempt to move it. But here were solid changes, and the hopes were uncertain. Affairs were going on well, and the reputation of the mills was at its height. And the carpets of sunshine were never repeated. * * * * * THE TWO TONGUES. Whoever would read a profound political pamphlet under the guise of a brilliant novel may find it in "Sibyl, or The Two Nations." The gay overture of "The Eve of the Derby," at a London club, with which the curtain rises, contrasts with the evening amusements of the _proletaire_ in the gin-palaces of Manchester in a more than operatic effectiveness, and yet falls rather below than rises above the sober truth of present history. And we are often tempted to bind up the novel of the dashing Parliamenteer with our copy of "Ivanhoe," that we may thus have, side by side, from the pens of the Right Honorable Benjamin Disraeli and Sir Walter Scott, the beginning and the end of these eight hundred years of struggle between Norman rule and Saxon endurance. For let races and families change as they will, there have ever been in England two nations; and the old debate of Wamba and Gurth in the forest-glade by Rotherwood is illustrated by the unconscious satires of last week's "Punch." In Chartism, Reform-Bills, and Strikes, in the etiquette which guards the Hesperides of West-End society, in the rigid training which stops many an adventurer midway in his career, are written the old characters of the for
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