logy, the Aviary, the Toilet, Embroidery, the Escrutoire,
Painting, Music, Dancing, Archery, Riding, and the Ornamental Artist.
Each of these subjects is treated of in separate chapters, in a neat
style, slightly scientific, and highly amusive; and the whole are
illustrated with upwards of _Six Hundred Engravings_, which are
appropriately chosen and admirably executed. Botany, Conchology,
Entomology, and the Aviary thus admit of scores of little cuts worked in
with the type; the female accomplishments of Embroidery, ornamental card
and basket work, contain many beautiful devices; and the "elegant
recreations" of Dancing, Riding, &c. are equally well illustrated by the
various forms, positions, &c.--Each subject has been treated of by a
master or mistress of the respective art, but the uniformity with which
the editor has marshalled them in his work, almost makes them resemble
the productions of one hand. We need not point out the merit of this
individual contribution; for the lady-pen must be omnipotent indeed
which could write equally well on every branch of female accomplishment.
By way of a seasonable extract we take part of a brief historical sketch
prefixed to the Dancing instructions, and a few of the hints:--

"From the death of Elizabeth, until after the restoration of Charles
II., the turbulence of the times, and the peculiar character of the age,
prevented this art, which flourishes only in 'the bowers of peace and
joy,' from making much progress; but in the days of the merry monarch
it began to revive, and advanced more, or less, in all the succeeding
reigns. The celebrated Beau Nash, who was, for a long time, M.C. at
Bath, may be considered the founder of modern ball-room dancing; which,
however, has been divested of much of its cold formality, and improved
in various other respects since the time of that singular person. It is,
nevertheless, a matter of regret, that the graceful and stately Minuet
has been entirely abandoned in favour of the more recently-invented
dances.

"The French country dances, or Contre-Danses (from the parties being
placed opposite to each other,) since called Quadrilles (from their
having four sides) which approximate nearly to the Cotillon, were
first introduced to France about the middle of Lewis the Fifteenth's
reign. Previously to this period, the dances most in vogue were La
Perigourdine, La Matelotte, La Pavane, Les Forlanes, Minuets, &c.
Quadrilles, when first introduced, w