ow how you will feel by and by when you are
buried. In a sane interval I discarded the pyjamas, and led a rational
and comfortable life thenceforth.

Out in the country in India, the day begins early. One sees a plain,
perfectly flat, dust-colored and brick-yardy, stretching limitlessly away
on every side in the dim gray light, striped everywhere with hard-beaten
narrow paths, the vast flatness broken at wide intervals by bunches of
spectral trees that mark where villages are; and along all the paths are
slender women and the black forms of lanky naked men moving, to their
work, the women with brass water-jars on their heads, the men carrying
hoes. The man is not entirely naked; always there is a bit of white rag,
a loin-cloth; it amounts to a bandage, and is a white accent on his black
person, like the silver band around the middle of a pipe-stem. Sometimes
he also wears a fluffy and voluminous white turban, and this adds a
second accent. He then answers properly to Miss Gordon Cumming's
flash-light picture of him--as a person who is dressed in "a turban
and a pocket handkerchief."

All day long one has this monotony of dust-colored dead levels and
scattering bunches of trees and mud villages. You soon realize that
India is not beautiful; still there is an enchantment about it that is
beguiling, and which does not pall. You cannot tell just what it is that
makes the spell, perhaps, but you feel it and confess it, nevertheless.
Of course, at bottom, you know in a vague way that it is history; it is
that that affects you, a haunting sense of the myriads of human lives
that have blossomed, and withered, and perished here, repeating and
repeating and repeating, century after century, and age after age, the
barren and meaningless process; it is this sense that gives to this
forlorn, uncomely land power to speak to the spirit and make friends with
it; to, speak to it with a voice bitter with satire, but eloquent with
melancholy. The deserts of Australia and the ice-barrens of Greenland
have no speech, for they have no venerable history; with nothing to tell
of man and his vanities, his fleeting glories and his miseries, they have
nothing wherewith to spiritualize their ugliness and veil it with a
charm.

There is nothing pretty about an Indian village--a mud one--and I do not
remember that we saw any but mud ones on that long flight to Allahabad.
It is a little bunch of dirt-colored mud hovels jammed together withi