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rs and Van Ostade, the beautiful landscapes of Ruysdael. He returned with head bent and eyes fatigued, and his mind filled with lasting recollections. "He was not twenty when he set out for Paris with his master. The opera, in its best days, enlisted the aid of all painters of gracefulness. At the opera, Watteau threw the lightning flashes of his pencil right and left: mountains, lakes, cascades, forests, nothing dismayed him, not even the Camargos, whom he had for models. He ended by taming himself down to this cage of gayly-singing and fluttering birds. A dancing-girl, who had not much to do, deigned to grant the little Flemish dauber, the favor of sitting for her portrait. Fleming as he was, Watteau made the progress of the portrait last longer than the scornfulness of Mademoiselle la Montagne. This was not all: the portrait was considered so graceful in the dancing-world, that sitters came to him every day, on the same terms. "He left the opera with his master, as soon as the new decorations were finished. Besides Gillot, the great designer of fauns and naiads had returned there more flourishing than ever. The master returned to Valenciennes, Watteau remained at Paris, desiring to depend upon his fortune, good or bad. He passed from the opera into the studio of a painter of devotional subjects, who manufactured St. Nicholases for Paris and the provinces, to suit to the price. So Watteau manufactured St. Nicholases, 'My pencil,' he said, 'did penance.' The opera always attracted him; there he could give free scope to all the extravagance of his fancy, to all the charming caprices of his pencil; but at the opera, his master and himself had given way to Gillot; and the latter was not disposed to give way to any body." An allegro morceau from the life of Gretry: A MONK OF A BAD PATTERN. "Other adventures also occurred, to convince Remacle that his fellow-travellers were worthy of him. Ever in dread of the before-mentioned officers, the old smuggler forced them to make a _detour_ of some leagues, to see, as he said with a disinterested air, a superb monastery, where alms were bestowed once a week on all the poor of the country. On entering the great hall, in the midst of a noisy crowd, Gretry saw a fat monk, mounted
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