FREE BOOKS

Author's List




PREV.   NEXT  
|<   121   122   123   124   125   126   127   128   129   130   131   132   133   134   135   136   >>  
, have forsaken the fragile amphorae of baked earth, which had come to them from barbarous times--and which the Orientalists grossly abused in their picture; and in their stead have taken to old tin oil-cans, placed at their disposal by the kindness of the big hotels. But they carry them in the same easy graceful manner as erstwhile the discarded pottery, and without losing in the least the gracious tanagrine outline. And then there are the great tourist boats of the Agencies, which are here in abundance, for Assouan has the privilege of being the terminus of the line; and their whistlings, their revolving motors, their electric dynamos maintain from morning till night a captivating symphony. It might be urged perhaps against these structures that they resemble a little the washhouses on the Seine; but the Agencies, desirous of restoring to them a certain local colour, have given them names so notoriously Egyptian that one is reduced to silence. They are called Sesostris, Amenophis or Ramses the Great. And finally there are the rowing boats, which carry passengers incessantly backwards and forwards between the river-banks. So long as the season remains at its height they are bedecked with a number of little flags of red cotton-cloth, or even of simple paper. The rowers, moreover, have been instructed to sing all the time the native songs which are accompanied by a derboucca player seated in the prow. Nay, they have even learnt to utter that rousing, stimulating cry which Anglo-Saxons use to express their enthusiasm or their joy: "Hip! Hip! Hurrah!" and you cannot conceive how well it sounds, coming between the Arab songs, which otherwise might be apt to grow monotonous. ***** But the triumph of Assouan is its desert. It begins at once without transition as soon as you pass the close-cropped turf of the last square. A desert which, except for the railroad and the telegraph poles, has all the charm of the real thing: the sand, the chaos of overthrown stones, the empty horizons--everything, in short, save the immensity and infinite solitude, the horror, in a word which formerly made it so little desirable. It is a little astonishing, it must be owned, to find, on arriving there, that the rocks have been carefully numbered in white paint, and in some cases marked with a large cross "which catches the eye from a greater distance still"(sic). But I agree that the effect of the whole has lost nothing. In the morning
PREV.   NEXT  
|<   121   122   123   124   125   126   127   128   129   130   131   132   133   134   135   136   >>  



Top keywords:

Agencies

 

Assouan

 

morning

 

desert

 

coming

 

triumph

 

monotonous

 

begins

 
transition
 
enthusiasm

seated

 

learnt

 
player
 

derboucca

 

instructed

 

native

 

accompanied

 
rousing
 

stimulating

 
Hurrah

conceive

 
Saxons
 

express

 

sounds

 

marked

 

numbered

 

carefully

 

arriving

 

catches

 

effect


greater
 

distance

 
astonishing
 

desirable

 

telegraph

 

railroad

 

square

 

overthrown

 

stones

 

horror


solitude

 

infinite

 

immensity

 

horizons

 

cropped

 

forwards

 
tanagrine
 

gracious

 

outline

 

losing