erior."

"And how did you recognize me?"

"By your great beauty, madame, of which Agricola had told me."

"Or rather by this," said Adrienne, smiling as she lifted, with the tips
of her rosy fingers, one end of a long, silky ringlet of golden hair.

"You must pardon Agricola, madame," said the sewing girl, with one of
those half smiles, which rarely settled on her lips: "he is a poet, and
omitted no single perfection in the respectful and admiring description
which he gave of his protectress."

"And what induced you to come and speak to me?"

"The hope of being useful to you, madame. You received Agricola with so
much goodness, that I have ventured to go shares in his gratitude."

"You may well venture to do so, my dear girl," said Adrienne, with
ineffable grace; "until now, unfortunately, I have only been able to
serve your adopted brother by intention."

As they exchanged these words, Adrienne and Mother Bunch looked at each
other with increasing surprise. The latter was, first of all, astonished
that a person who passed for mad should express herself as Adrienne did;
next, she was amazed at the ease and freedom with which she herself
answered the questions of Mdlle. de Cardoville--not knowing that the
latter was endowed with the precious privilege of lofty and benevolent
natures, to draw out from those who approached her whatever sympathized
with herself. On her side, Mdlle. de Cardoville was deeply moved and
astonished to hear this young, low-born girl, dressed almost like a
beggar, express herself in terms selected with so much propriety. The
more she looked at her, the more the feeling of repugnance she at first
experienced wore off, and was at length converted into quite the opposite
sentiment. With that rapid and minute power of observation natural to
women, she remarked beneath the black crape of Mother Bunch's cap, the
smoothness and brilliancy of the fair, chestnut hair. She remarked, too,
the whiteness of the long, thin hand, though it displayed itself at the
end of a patched and tattered sleeve--an infallible proof that care, and
cleanliness, and self-respect were at least struggling against symptoms
of fearful distress. Adrienne discovered, also, in the pale and
melancholy features, in the expression of the blue eyes, at once
intelligent, mild and timid, a soft and modest dignity, which made one
forget the deformed figure. Adrienne loved physical beauty, and admired
it passionately, but she had too