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ng, hang-dog look which one has remarked among reverend gentlemen in the neighboring country of France. Their reverences wear buckles to their shoes, light-blue neck-cloths, and huge three-cornered hats in good condition. To-day, strolling by the cathedral, I heard the tinkling of a bell in the street, and beheld certain persons, male and female, suddenly plump down on their knees before a little procession that was passing. Two men in black held a tawdry red canopy, a priest walked beneath it holding the sacrament covered with a cloth, and before him marched a couple of little altar-boys in short white surplices, such as you see in Rubens, and holding lacquered lamps. A small train of street-boys followed the procession, cap in hand, and the clergyman finally entered a hospital for old women, near the church, the canopy and the lamp-bearers remaining without. It was a touching scene, and as I stayed to watch it, I could not but think of the poor old soul who was dying within, listening to the last words of prayer, led by the hand of the priest to the brink of the black fathomless grave. How bright the sun was shining without all the time, and how happy and careless every thing around us looked! The Duke d'Arenberg has a picture-gallery worthy of his princely house. It does not contain great pieces, but tit-bits of pictures, such as suit an aristocratic epicure. For such persons a great huge canvas is too much, it is like sitting down alone to a roasted ox; and they do wisely, I think, to patronize small, high-flavored, delicate morceaux, such as the Duke has here. Among them may be mentioned, with special praise, a magnificent small Rembrandt, a Paul Potter of exceeding minuteness and beauty, an Ostade, which reminds one of Wilkie's early performances, and a Dusart quite as good as Ostade. There is a Berghem, much more unaffected than that artist's works generally are; and, what is more, precious in the eyes of many ladies as an object of art, there is, in one of the grand saloons, some needlework done by the Duke's own grandmother, which is looked at with awe by those admitted to see the palace. The chief curiosity, if not the chief ornament of a very elegant library, filled with vases and bronzes, is a marble head, supposed to be the original head of the Laocoon. It is, unquestionably a finer head than that which at present figures upon the shoulders of the famous statue. The expression of woe is more manly
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