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having been the dupe of the pretended Jacob, he destroyed the sycamore behind which the envious Isaac had spied into the garden; for the plot of ground belonging to him had been bought by Cornelius, and taken into his own garden. Rosa, growing not only in beauty, but in wisdom also, after two years of her married life, could read and write so well that she was able to undertake by herself the education of two beautiful children which she had borne in 1674 and 1675, both in May, the month of flowers. As a matter of course, one was a boy, the other a girl, the former being called Cornelius, the other Rosa. Van Baerle remained faithfully attached to Rosa and to his tulips. The whole of his life was devoted to the happiness of his wife and the culture of flowers, in the latter of which occupations he was so successful that a great number of his varieties found a place in the catalogue of Holland. The two principal ornaments of his drawing-room were those two leaves from the Bible of Cornelius de Witt, in large golden frames; one of them containing the letter in which his godfather enjoined him to burn the correspondence of the Marquis de Louvois, and the other his own will, in which he bequeathed to Rosa his bulbs under condition that she should marry a young man of from twenty-six to twenty-eight years, who loved her and whom she loved, a condition which was scrupulously fulfilled, although, or rather because, Cornelius did not die. And to ward off any envious attempts of another Isaac Boxtel, he wrote over his door the lines which Grotius had, on the day of his flight, scratched on the walls of his prison:-- "Sometimes one has suffered so much that he has the right never to be able to say, 'I am too happy.'" End of Project Gutenberg's The Black Tulip, by Alexandre Dumas (Pere) *** END OF THIS PROJECT GUTENBERG EBOOK THE BLACK TULIP *** ***** This file should be named 965.txt or 965.zip ***** This and all associated files of various formats will be found in: http://www.gutenberg.org/9/6/965/ Produced by An Anonymous Volunteer Updated editions will replace the previous one--the old editions will be renamed. Creating the works from public domain print editions means that no one owns a United States copyright in these works, so the Foundation (and you!) can copy and distribute it in the United States without permission and without paying copyright royalties. Special rules, set for
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