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ughter. By Joseph C. Lincoln. Cap'n Eri. By Joseph C. Lincoln. Cap'n Warren's Wards. By Joseph C. Lincoln. Cardigan. By Robert W. Chambers. Carpet From Bagdad, The. By Harold MacGrath. Cease Firing. By Mary Johnson. Chain of Evidence, A. By Carolyn Wells. Chief Legatee, The. By Anna Katharine Green. Cleek of Scotland Yard. By T. W. Hanshew. Clipped Wings. By Rupert Hughes. Coast of Adventure, The. By Harold Bindloss. Colonial Free Lance, A. By Chauncey C. Hotchkiss. Coming of Cassidy, The. By Clarence E. Mulford. Coming of the Law, The. By Chas. A. Seltzer. Conquest of Canaan, The. By Booth Tarkington. Conspirators, The. By Robt. W. Chambers. Counsel for the Defense. By Leroy Scott. Court of Inquiry, A. By Grace S. Richmond. Crime Doctor, The. By E. W. Hornung. Crimson Gardenia, The, and Other Tales of Adventure. By Rex Beach. Cross Currents. By Eleanor H. Porter. Cry in the Wilderness, A. By Mary E. Waller. Cynthia of the Minute. By Louis Jos. Vance. Dark Hollow, The. By Anna Katharine Green. Dave's Daughter. By Patience Bevier Cole. End of the Project Gutenberg EBook of The Dark Star, by Robert W. Chambers *** END OF THIS PROJECT GUTENBERG EBOOK THE DARK STAR *** ***** This file should be named 28440.txt or 28440.zip ***** This and all associated files of various formats will be found in: http://www.gutenberg.org/2/8/4/4/28440/ Produced by Roger Frank and the Online Distributed Proofreading Team at http://www.pgdp.net Updated editions will replace the previous one--the old editions will be renamed. Creating the works from public domain print editions means that no one owns a United States copyright in these works, so the Foundation (and you!) can copy and distribute it in the United States without permission and without paying copyright royalties. Special rules, set forth in the General Terms of Use part of this license, apply to copying and distributing Project Gutenberg-tm electronic works to protect the PROJECT GUTENBERG-tm concept and trademark. Project Gutenberg is a registered trademark, and may not be used if you charge for the eBooks, unless you receive specific permission. If you do not charge anything for copies of this eBook, complying with the rules is very easy. You may use this eBook for nearly any purpose such as creation of derivative works, reports, performances and research. They may be modified and printed and given away--you may do practically ANYTHI
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