would be its purpose. And this legend of the birth of
Athena is the central myth of all that the Greeks have left us
respecting the power of their arts; and in it they have expressed, as it
seemed good to them, the most important things they had to tell us on
these matters. We may read them wrongly; but we must read them here, if
anywhere.
72. There are so many threads to be gathered up in the legend, that I
cannot hope to put it before you in total clearness, but I will take
main points. Athena is born in the island of Rhodes; and that island is
raised out of the sea by Apollo, after he had been left without
inheritance among the gods. Zeus[120] would have cast the lot again, but
Apollo orders the golden-girdled Lachesis to stretch out her hands; and
not now by chance or lot, but by noble enchantment, the island rises out
of the sea.
Physically, this represents the action of heat and light on chaos,
especially on the deep sea. It is the "Fiat lux" of Genesis, the first
process in the conquest of Fate by Harmony. The island is dedicated to
the Nymph Rhodos, by whom Apollo has the seven sons who teach [Greek:
sophotata noemata]; because the rose is the most beautiful organism
existing in matter not vital, expressive of the direct action of light
on the earth, giving lovely form and colour at once; (compare the use of
it by Dante as the form of the sainted crowd in highest heaven) and
remember that, therefore, the rose is in the Greek mind, essentially a
Doric flower, expressing the worship of Light, as the Iris or Ion is an
Ionic one, expressing the worship of the Winds and Dew.
73. To understand the agency of Hephaestus at the birth of Athena, we
must again return to the founding of the arts on agriculture by the
hand. Before you can cultivate land you must clear it; and the
characteristic weapon of Hephaestus,--which is as much his attribute as
the trident is of Poseidon, and the rhabdos of Hermes, is not, as you
would have expected, the hammer, but the clearing-axe--the doubled-edged
[Greek: pelekys], the same that Calypso gives Ulysses with which to cut
down the trees for his home voyage; so that both the naval and
agricultural strength of the Athenians are expressed by this weapon,
with which they had to hew out their fortune. And you must keep in mind
this agriculturally laborious character of Hephaestus, even when he is
most distinctly the god of serviceable fire; thus Horace's perfect
epithet for him "avidu
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