FREE BOOKS

Author's List




PREV.   NEXT  
|<   635   636   637   638   639   640   641   642   643   644   645   646   647   648   649   650   651   652   653   654   655   656   657   658   659  
660   661   662   663   664   665   666   667   668   669   670   671   672   673   674   675   676   677   678   679   680   681   682   683   684   >>   >|  
rawn carefully, provided they are not modern rows of pattern cottages; or villas with Ionic and Doric porticos. Any old English village, or cluster of farm-houses, drawn with all its ins and outs, and haystacks, and palings, is sure to be lovely; much more a French one. French landscape is generally as much superior to English as Swiss landscape is to French; in some respects, the French is incomparable. Such scenes as that avenue on the Seine, which I have recommended you to buy the engraving of, admit no rivalship in their expression of graceful rusticity and cheerful peace, and in the beauty of component lines. In drawing villages, take great pains with the gardens; a rustic garden is in every way beautiful. If you have time, draw all the rows of cabbages, and hollyhocks, and broken fences, and wandering eglantines, and bossy roses: you cannot have better practice, nor be kept by anything in purer thoughts. Make intimate friends of all the brooks in your neighbourhood, and study them ripple by ripple. Village churches in England are not often good subjects; there is a peculiar meanness about most of them, and awkwardness of line. Old manor-houses are often pretty. Ruins are usually, with us, too prim, and cathedrals too orderly. I do not think there is a single cathedral in England from which it is possible to obtain _one_ subject for an impressive drawing. There is always some discordant civility, or jarring vergerism about them. If you live in a mountain or hill country, your only danger is redundance of subject. Be resolved, in the first place, to draw a piece of rounded rock, with its variegated lichens, quite rightly, getting its complete roundings, and all the patterns of the lichen in true local colour. Till you can do this, it is of no use your thinking of sketching among hills; but when once you have done this, the forms of distant hills will be comparatively easy. When you have practised for a little time from such of these subjects as may be accessible to you, you will certainly find difficulties arising which will make you wish more than ever for a master's help: these difficulties will vary according to the character of your own mind (one question occurring to one person, and one to another), so that it is impossible to anticipate them all; and it would make this too large a book if I answered all that I _can_ anticipate; you must be content to work on, in good hope that nature will, in her own
PREV.   NEXT  
|<   635   636   637   638   639   640   641   642   643   644   645   646   647   648   649   650   651   652   653   654   655   656   657   658   659  
660   661   662   663   664   665   666   667   668   669   670   671   672   673   674   675   676   677   678   679   680   681   682   683   684   >>   >|  



Top keywords:

French

 

drawing

 

difficulties

 

anticipate

 

subject

 

ripple

 

subjects

 

England

 

landscape

 

houses


English

 

roundings

 
patterns
 

lichen

 

complete

 
nature
 

lichens

 

rightly

 

colour

 
sketching

pattern

 

thinking

 

villas

 

cottages

 
variegated
 

vergerism

 

mountain

 
jarring
 

civility

 

impressive


discordant

 

country

 
rounded
 

resolved

 

danger

 

redundance

 

carefully

 
question
 
occurring
 

character


person

 

answered

 

impossible

 

content

 

master

 

practised

 

comparatively

 
distant
 

modern

 

arising