FREE BOOKS

Author's List




PREV.   NEXT  
|<   19   20   21   22   23   24   25   26   27   28   29   30   31   32   33   34   35   36   37   38   39   40   41   42   43  
44   45   46   47   48   49   50   51   52   53   54   55   56   57   58   59   60   61   62   63   64   65   66   67   68   >>   >|  
gs or for clothing, are woven, with the decorative pattern executed by the needle on woven cloth. In Persia and neighbouring states, however, the high-warp loom was used.[1] Europe in the Middle Ages was a place so savage, so devastated by war and by neighbouring malice, that to consider it is to hear the clash of steel, to feel the pangs of hunger, to experience the fearsome chill of dungeons or moated castles. It was a time when those who could huddle in fortresses mayhap died natural deaths, but those who lived in the world were killed as a matter of course. Man was man's enemy and to be killed on sight. In such gay times of carnage, art is dead. Men there were who drew designs and executed them, for the _luxe_ of the eye is ever demanding, but the designs were timid and stunted and came far from the field of art. Fabrics were made and worn, no doubt, but when looms were like to be destroyed and the weavers with them, scant attention was given to refinements. By the time the Tenth Century was reached matters had improved. We come into the light of records. It is positively known that the town of Saumur, down in the lovely country below Tours, became the destination of a quantity of wall-hangings, carpets, curtains, and seat covers woven of wool. This was by order of the third Abbot Robert of the Monastery of St. Florent, one of those vigorous, progressive men whose initiative inspires a host. It is recorded that he also ordered two pieces of tapestry executed, not of wool exclusively, but with silk introduced, and in these the figures of the designs were the beasts that were then favourites in decoration and that still showed the influence of Oriental drawing. Before enumerating other authentic examples of early tapestries it is well to speak of the reason for their being invariably associated with the church. The impression left by history is that folk of those days must have been universally religious when not cutting each other in bits with bloody cutlass. The reason is, of course, that when poor crushed humanity began to revive from the devastating onslaughts of fierce Northern barbarians, it was with a timid huddling in monasteries, for there was found immunity from attack. The lord of the castle was forced to go to war or to resist attack in his castle, but the monastery was exempt from whatever conscription the times imposed, and frocked friars were always on hand were defence needed. Thus it came ab
PREV.   NEXT  
|<   19   20   21   22   23   24   25   26   27   28   29   30   31   32   33   34   35   36   37   38   39   40   41   42   43  
44   45   46   47   48   49   50   51   52   53   54   55   56   57   58   59   60   61   62   63   64   65   66   67   68   >>   >|  



Top keywords:

designs

 

executed

 

reason

 
neighbouring
 

castle

 
killed
 

attack

 

decoration

 
favourites
 
examples

showed

 

drawing

 
enumerating
 
authentic
 
Before
 

Oriental

 

tapestries

 

influence

 

ordered

 
Florent

vigorous

 
progressive
 

Monastery

 

covers

 

Robert

 

initiative

 
inspires
 
exclusively
 

introduced

 

beasts


figures

 

tapestry

 

pieces

 

recorded

 

forced

 

resist

 

immunity

 
Northern
 

fierce

 

barbarians


huddling
 

monasteries

 
monastery
 
exempt
 
defence
 

needed

 

friars

 
conscription
 
imposed
 

frocked