y._--How to satisfy the country, from his
place in Parliament, that the "Department" is turning out big guns in
any number, and that, when they are turned out, he'll pledge his word
that they won't burst--unreasonably.
* * * * *
"KILLALOE DAM GONE."--Under this heading, boldly displayed, the
_Scottish Leader_ announces that the inundation of the Shannon has
caused further serious damage to the new drainage works at Killaloe. The
way of putting it is undoubtedly terse and emphatic. It sets forth in
three words the consternation that fell upon Killaloe when the Shannon
rose, and the ruthless ruin that whelmed the town when the waters
retired. At the same time it is not quite the language we would have
expected from an able and responsible journal which has bearded the
_Scotsman_ in its den, and shown that, after all, it is possible to
establish a prosperous Liberal newspaper in the Lowlands.
* * * * *
MR. PUNCH'S MORAL MUSIC-HALL DRAMAS.
No. III.--THE MAN-TRAP.
Illustration: THE MAN-TRAP.
This Drama, which, like our last, has been suggested by a poem of the
Misses TAYLORS', will be found most striking and impressive in
representation upon the Music-hall stage. The dramatist has ventured to
depart somewhat from the letter, though not the spirit, of the original
text, in his desire to enforce the moral to the fullest possible extent.
Our present piece is intended to teach the great lesson that an
inevitable Nemesis attends apple-stealing in this world, and that Doom
cannot be disarmed by the intercession of the evil-doer's friends,
however well-meaning.
THE MAN-TRAP!
_A Thrilling Moral Musical Sensation Sketch in One Scene._
DRAMATIS PERSONAE.
_William (a Good Boy)_ Mr. HARRY NICHOLLS. } _who have kindly_
_Thomas (a Bad Boy)_ Mr. HERBERT CAMPBELL. } _offered their services._
_Benjamin (neither one thing nor the other)_ Mr. SAMUEL SUPER.
_The Monster Man-trap_ Mr. GEORGE CONQUEST.
SCENE--_An elaborate set, representing, on extreme left, a portion of
the high road, and wall dividing it from an orchard; realistic apple-and
pear-trees laden with fruit. Time, about four o'clock on a hot
afternoon. Enter_ WILLIAM _and_ THOMAS, _hand-in-hand, along road; they
ignore the dividing wall, and advance to front of stage._
_Duet.--William and Thomas._
_Wm._ I'm a reg'lar model boy, I am; so ple
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