ered to their acknowledged chief." The body lies
in the chapel of St. Francis of Assisi, within the church of San
Bernardo. The resting-place is marked by a white marble cross, let into
the wall, bearing the inscription "Joannes Fridericus Overbeck--In
Pace."
FOOTNOTES:
[Footnote 1: See 'Lubeckische Blatter,' from 1839 to 1869, for sundry
notices concerning this picture and other works. The _Pieta_ is in oil
on canvas, 10 feet wide and nearly as high; the top is arched; it is
photographed. The pigments are in usual sound condition. A small picture
accompanied this _Pieta_. It had been intended as a present to the
brother, Judge Christian Gerhard Overbeck, but his death, in 1846,
preventing the fulfilment of the purpose, it was sent to Lubeck as a
gift to his son, the artist's nephew, Doctor and Senator Christian
Theodore Overbeck, who died 1880. The representatives in Lubeck of this
nephew are said to be in possession of sundry memorials of the
illustrious uncle. Here in Lubeck I may mention a _Madonna and Child_, a
circular composition 3 feet 2 inches in diameter, with the painter's
monogram and the date 1853. The picture is a gem, exquisite for purity,
tenderness, and beauty. Another _Madonna and Child_ is in the
Thorwaldsen Museum, Copenhagen.]
[Footnote 2: _The Incredulity of St. Thomas_ is 10 feet high by 5 feet
wide. It bears the painter's monogram and the date 1851. The figures are
life-size. The picture is in perfect preservation. The pigments, as
usual, lie thin, showing through the rough tissues of the Roman canvas.]
[Footnote 3: See 'Geschichte der neuen Deutschen Kunst, von Ernst
Forster.' Leipzig, Weigel, 1863.]
[Footnote 4: _The Assumption of the Virgin_ is in oil on canvas; height
about 18 feet, width 9 feet. Figures nearly life-size. The scale is
rather small for the magnitude of the architectural surroundings. The
tone is that of an old picture, low and solemn. No positive colours are
admitted. The pigments remain intact, without crack, blister, or change
of colour. The picture was the joint gift of the Dusseldorf Kunst-Verein
and the Cologne Cathedral Chapter. The price paid was equal to about
L1000 sterling. The cartoon was exhibited in 1876 in the National
Gallery, Berlin.]
[Footnote 5: The cartoons of the _Via Crucis_ were, in September 1880,
in the Villa Germania, near Biebrich. They are in chalk or charcoal in
outline on grey ground, tinted with sepia. Height, 1 foot 9 inches;
breadt
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