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fferent to the new science and to the various elements of human nature on which statesmanship must build. Its political sway is brief, its effects on English and American character are lasting. In the next century the master minds stand outside of Christianity. Voltaire assails the whole ecclesiastical and supernatural fabric with terrible weapons of hard sense and derision. For the target of his arrows he has a church at once corrupt, tyrannical, and weak, and a creed which the best intelligence has outgrown. He heartily scouts the church, dogma, miracle; admits a vague Deity and a possible hereafter, but cares little for them; is fearless, jovial, generous,--a rollicking, comfortable, formidable apostle of negations. Into the vacuum he creates comes Rousseau, and at his touch there well up again deep fountains of feeling, belief, desire. Rousseau, too, has left behind him the church and its dogmas; but he craves love, joy, action, and finds scope for them. He delights in nature's beauty, and it is the symbol to him of a God in whom there remains of the Christian Deity only the element of beneficence. He exhorts men to return to nature, but it is a somewhat unreal nature, a dream of primeval innocence and simplicity. He idealizes the family relation, and brings wisdom and gentleness to the training of the child. He lacks the Hebraic and Puritan stress on conscience; the mild benevolence of his Deity is somewhat remote from the ethical need of man and from the actual procedure or the universe; Rousseau himself is tainted with sensuality,--a diseased, suffering, pathetic nature, with "sweet strings jangled," worthy of pity and of gratitude. In France, the highest intelligence was at war with established institutions,--the Encyclopaedists, Voltaire, Rousseau, against the Catholic church and the reigning authorities: on the one side persecution, but growing feeble; on the other side derision or evasion or attack. In England, a large measure of civil and religious freedom gave the intellectual combatants a fairer field and a milder temper. The English genius showed itself as practical, matter-of-fact, and moderate. Supernatural Christianity was attacked and defended; against the assault on the miracles the defense was really a shifting of the ground, and an insistence as by Butler on an ethical order in the observed workings of the world, which gives a sort of analogue and support to the Christian scheme of
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