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est, and my whistle of the Befana, and all the salt and sport of a war of wits such as old Rome has always heard in midwinter since the seven nights of the Saturnalia. Dear Lord! to think that twice a thousand years ago and more, along these banks of Tiber, and down in the Velabrum and up the Sacred Way, men and women and children were leaping, and dancing, and shouting, and electing their festal king, and exchanging their new-year gifts of wax candles and little clay figures: and that now-a-days we are doing just the same thing in the same season, in the same places, only with all the real faunic joyfulness gone out of it with the old slain Saturn, and a great deal of empty and luxurious show come in instead! It makes one sad, mankind looks such a fool. Better be Heine's fool on the seashore, who asks the winds their "wherefore" and their "whence." You remember Heine's poem--that one in the "North Sea" series, that speaks of the man by the shore, and asks what is Man, and what shall become of him, and who lives on high in the stars? and tells how the waves keep on murmuring and the winds rising, the clouds scudding before the breeze, and the planets shining so cold and so far, and how on the shore a fool waits for an answer, and waits in vain. It is a terrible poem, and terrible because it is true. Every one of us stands on the brink of the endless sea that is Time and is Death; and all the blind, beautiful, mute, majestic forces of creation move around us and yet tell us nothing. It is wonderful that, with this awful mystery always about us, we can go on on our little lives as cheerfully as we do; that on the edge of that mystical shore we yet can think so much about the crab in the lobster-pot, the eel in the sand, the sail in the distance, the child's face at home. Well, no doubt it is heaven's mercy that we can do so; it saves from madness such thinking souls as are amongst us. * * * "My dear, of love there is very little in the world. There are many things that take its likeness: fierce unstable passions and poor egotisms of all sorts, vanities too, and many other follies--Apate and Philotes in a thousand masquerading characters that gain great Love discredit. The loves of men, and women too, my dear, are hardly better very often than Minos' love for Skylla; you remember how he threw her down from the stern of his vessel when he had made the use of her he wished, and she had cut t
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