nts pocket,
the other resting on the knee, body bent forward, eyes fixed on the
keys of the melodeon, countenance expressing astonishment. The
gentleman best adapted for this part is one who has a natural talent
for performing in comedy. Light should be thrown on the scene from the
lower end of the side of the stage, and of medium brightness. Music of
a spirited character.
THE THREE GRACES.
Faith, Hope, and Love, now dwell on earth,
And earth by them is blest;
But Faith and Hope must yield to Love,
Of all the graces best.
Three Female Figures.
This is a statuary tableau, and is represented by three young and
beautiful ladies of about the same height and figure, with regular
features and long hair. Their costume consists of a long white robe,
worn with few skirts, and cut extremely low at the neck, sleeves five
inches long, a mantle of white tarleton muslin worn across the breast,
tied at the side, and allowed to trail on the floor; the hair arranged
in braids at the sides of the head, ornamented with large beads,
clasped with a silver band behind, and allowed to hang in short curls
in the neck. The ornaments should be entirely white. The three ladies
stand on a pedestal three feet high, and four feet in diameter; this
must be covered with black or green marble paper, and placed in the
centre of the stage. The centre lady stands facing the audience, with
the right hand raised above the head; the left clasps the hand of the
lady at the left side, who is looking into the eyes of the figure at
the right, and rests her right hand on the shoulder of the centre
figure. The figure on the other side stands in a graceful position,
resting her hands on the shoulder of the centre figure, and looking
into her face. The countenances of the three should express pleasure.
The light for the piece must be soft and mellow, and come from the
side of the stage. Music low and plaintive.
THE GUARDIAN ANGEL.
Angels, joyful to attend,
Hovering round thy pillow bend,
Wait to catch the signal given,
And convey thee quick to heaven.
One Female and One Male Figure.
This is a most pleasing tableau, and represents the good angel, in
whose existence and controlling power there is scarce any one so rude
as not to believe, attending a young boy, who looks reverently upward,
to heed the admonitions of his celestial companion. The lady who
personates the angel should be of g
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