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e-existing sources for it. 'The fathering of the Greek on the pre-existing profane cultures has been scouted by perfervid Hellenists in terms which implied that they hold it little else than impiety. Allowing no causation more earthly than vague local influences of air and light, mountain and sea, they would have Hellenism born into the world by a miracle of generation, like its own Athena from the head of Zeus.'[*] But a great civilization can never be accounted for in this miraculous fashion. The origins of even Egyptian culture have begun to yield themselves to patient research, and it is not permissible to believe that the Greek nation was born in a day into its great inheritance, or that it derived nothing from earlier ages and races. [Footnote *: D. G. Hogarth, 'Ionia and the East,' p. 21.] Indeed, the supreme monument of the matchless literature of Hellas bore witness to the fact that, prior to the beginnings of Greek history, there had existed on Greek soil a civilization of a very high type, differing from, in some respects even superior to, that which succeeded it, but manifestly refusing to be left out of consideration in any attempt to describe the beginnings of Greek culture. The Homeric poems shone like a beacon light across the dark gulf which separated the Hellas of myth from the Hellas of history, testifying to a splendour that had been before the darkness, and prophesying of a splendour that should be when the darkness had passed. But the very brilliance of their pictures and the magnificence of the society with which they dealt only added to the complication of the question, and emphasized the difficulty of deriving the culture of historic Greece by legitimate filiation from a past which seemed to have no connection and no community of character with it. For the Homeric civilization was not a different stage of development of that same civilization which appears when the first beginnings of what we are accustomed to call Hellenism are presented to us; it was totally diverse, and in many respects more complex and more splendid. From the eighth century onwards we are on moderately safe ground when dealing with the history of Hellas and its culture. We know something of the actual facts of its history, literary and political. The chronicles of the more important cities are known with a definiteness fairly comparable to what we might expect at such a stage of development. But the Homeric poems take
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