FREE BOOKS

Author's List




PREV.   NEXT  
|<   717   718   719   720   721   722   723   724   725   726   727   728   729   730   731   732   733   734   735   736   737   738   739   740   741  
742   743   744   745   746   747   748   749   750   751   752   753   754   755   756   757   758   759   760   761   762   763   764   765   766   >>   >|  
nts out of it, I will submit it to your consideration. "The lass o' Patie's mill" is one of Ramsay's best songs; but there is one loose sentiment in it, which my much-valued friend Mr. Erskine will take into his critical consideration. In Sir John Sinclair's statistical volumes, are two claims--one, I think from Aberdeenshire, and the other from Ayrshire--for the honour of this song. The following anecdote, which I had from the present Sir William Cunningham of Robertland, who had it of the late John, Earl of Loudon, I can, on such authorities, believe: Allan Ramsay was residing at Loudon-castle with the then Earl, father to Earl John; and one forenoon, riding or walking, out together, his lordship and Allan passed a sweet romantic spot on Irvine water, still called "Patie's mill," where a bonnie lass was "tedding hay, bare-headed on the green." My lord observed to Allan, that it would be a fine theme for a song. Ramsay took the hint, and, lingering behind, he composed the first sketch of it, which he produced at dinner. "One day I heard Mary say,"[211] is a fine song; but, for consistency's sake, alter the name "Adonis." Were there ever such banns published, as a purpose of marriage between Adonis and Mary! I agree with you that my song, "There's nought but care on every hand," is much superior to "Poortith cauld." The original song, "The mill, mill, O!"[212] though excellent, is, on account of delicacy, inadmissible; still I like the title, and think a Scottish song would suit the notes best; and let your chosen song, which is very pretty, follow as an English set. "The Banks of the Dee" is, you know, literally "Langolee," to slow time. The song is well enough, but has some false imagery in it: for instance, "And sweetly the nightingale sang from the tree." In the first place, the nightingale sings in a low bush, but never from a tree; and in the second place, there never was a nightingale seen or heard on the banks of the Dee, or on the banks of any other river in Scotland. Exotic rural imagery is always comparatively flat.[213] If I could hit on another stanza, equal to "The small birds rejoice," &c., I do myself honestly avow, that I think it a superior song.[214] "John Anderson, my jo"--the song to this tune in Johnson's Museum, is my composition, and I think it not my worst:[215] if it suit you, take it, and welcome. Your collection of sentimental and pathetic songs, is, in my opinion, very complete;
PREV.   NEXT  
|<   717   718   719   720   721   722   723   724   725   726   727   728   729   730   731   732   733   734   735   736   737   738   739   740   741  
742   743   744   745   746   747   748   749   750   751   752   753   754   755   756   757   758   759   760   761   762   763   764   765   766   >>   >|  



Top keywords:
nightingale
 

Ramsay

 

Adonis

 

consideration

 
Loudon
 
imagery
 

superior

 

instance

 

Langolee

 
English

complete

 

delicacy

 

inadmissible

 

account

 

excellent

 

original

 

Scottish

 

follow

 

chosen

 
pretty

literally
 

opinion

 

sentimental

 

Anderson

 

honestly

 

rejoice

 

Johnson

 

Museum

 

composition

 
collection

Scotland

 
Exotic
 
pathetic
 

stanza

 
comparatively
 
sweetly
 
sketch
 

authorities

 
residing
 

present


William

 
Cunningham
 

Robertland

 

castle

 

lordship

 

passed

 

romantic

 

walking

 

father

 

forenoon