FREE BOOKS

Author's List




PREV.   NEXT  
|<   85   86   87   88   89   90   91   92   93   94   95   96   97   98   99   100   101   102   103   104   105   106   107   108   109  
110   111   112   113   114   115   116   117   118   119   120   121   122   123   124   125   126   127   128   129   130   131   132   133   134   >>   >|  
d seem, therefore, to be doubtful whether the Assyrians were really guided by any constructive principle in their preference of one form of the arch over the other. In describing generally the construction of the palaces and other chief buildings of the Assyrians, it has been necessary occasionally to refer to their ornamentation; but the subject is far from exhausted, and will now claim, for a short space, our special attention. Beyond a doubt the chief adornment, both of palaces and temples, consisted of the colossal bulls and lions guarding the great gateways, together with the sculptured slabs wherewith the walls, both internal and external, were ordinarily covered to the height of twelve or sometimes even of fifteen feet. These slabs and carved figures will necessarily be considered in connection with Assyrian sculpture, of which they form the most important part. It will, therefore, only be noted at present that the extent of wall covered with the slabs was, in the Khorsabad palace, at least 4000 feet, or nearly four-fifths of a mile, while in each of the Koyunjik palaces the sculptures extended to considerably more than that distance. [Illustration: PLATE 60] The ornamentation of the walls above the slabs, both internally and externally, was by means of bricks painted on the exposed side and covered with an enamel. The colors are for the most part somewhat pale, but occasionally they possess some brilliancy. [PLATE LX., Fig 1.] Predominant among the tints are a pale blue, an olive green, and a dull yellow. White is also largely used; brown and black are not infrequent; red is comparatively rare. The subjects represented are either such scenes as occur upon the sculptured slabs, or else mere patterns--scrolls, honeysuckles, chevrons, gradines, guilloches, etc. In the scenes some attempt seems to be made at representing objects in their natural colors. The size of the figures is small; and it is difficult to imagine that any great effect could have been produced on the beholder by such minute drawings placed at such a height from the ground. Probably the most effective ornamentation of this kind was by means of patterns, which are often graceful and striking. [PLATE LX., 2.] It has been observed that, so far as the evidence at present goes, the use of the column in Assyrian architecture would seem to have been very rare indeed. In palaces we have no grounds for thinking that they were employed at all excep
PREV.   NEXT  
|<   85   86   87   88   89   90   91   92   93   94   95   96   97   98   99   100   101   102   103   104   105   106   107   108   109  
110   111   112   113   114   115   116   117   118   119   120   121   122   123   124   125   126   127   128   129   130   131   132   133   134   >>   >|  



Top keywords:
palaces
 

covered

 
ornamentation
 

height

 
scenes
 
present
 
figures
 

colors

 

Assyrian

 

patterns


sculptured

 

occasionally

 

Assyrians

 

comparatively

 

infrequent

 

represented

 

subjects

 

Predominant

 

thinking

 

employed


brilliancy

 

architecture

 

largely

 

yellow

 
grounds
 
difficult
 

imagine

 

effect

 

graceful

 

natural


striking

 
ground
 
Probably
 

drawings

 

minute

 

produced

 

beholder

 

objects

 

representing

 
evidence

scrolls
 
honeysuckles
 

column

 

effective

 
chevrons
 

observed

 

attempt

 

gradines

 

guilloches

 
fifths