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is lunatic, and mad folks keep no money, he would sink if he were there." The description of an usurer is memorable by its reference to the first great poet of England, among whose followers Rowley is far from the least worthy of honor. "His visage (or vizard), like the artificial Jew of Malta's nose," brings before the reader in vivid realism the likeness of Alleyn or Burbage as he represented in grotesque and tragic disguise the magnificent figure of Marlowe's creative invention or discovery by dint of genius. (I do not remember the curious verb "to rand" except in this little book: "he randed out these sentences": I presume it to be the first form of "rant.") The account of St. Paul's in 1609 is very curious and scandalous: "the very Temple itself (in bare humility) stood without his cap, and so had stood many years, many good folks had spoke for him because he could not speak for himself, and somewhat had been gathered in his behalf, but not half enough to supply his necessity." When we pass from "the Temple" to Westminster Hall we come upon a sample of humor which would be famous if it were the gift of a less ungratefully forgotten hand. "Here were two brothers at buffets with angels in their fists about the thatch that blew off his house into the other's garden and so spoiled a Hartichoke." It should not have been left to a later hand--it should surely have been the privilege of Lamb's or Hazlitt's, and perhaps rather Hazlitt's than even Lamb's--to unearth and to transcribe the quaint and spirited description of Thames watermen "howling, hollowing, and calling for passengers, as if all the hags in hell had been imprisoned, and begging at the gate, fiends and furies that (God be thanked) could vex the soul but not torment it, yet indeed their most power was over the body, for here an audacious mouthing-randing-impudent-scullery-wastecoat-and-bodied rascal would have hail'd a penny from us for his scullerships." Could Rabelais himself have described them better, or with vigor of humorous expression more heartily and enjoyably characteristic of his own all but incomparable genius? The good old times, as remote in Shakespeare's day as in our own, were never more delightfully described than by Rowley in this noble and simple phrase: "Then was England's whole year but a St. George's day." Webster wished that what he wrote might be read by the light of Shakespeare: an admirer of Rowley might hope and must wi
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