FREE BOOKS

Author's List




PREV.   NEXT  
|<   109   110   111   112   113   114   115   116   117   118   119   120   121   122   >>  
ate archaism. Although we think of Stevenson as a writer of fiction, his extreme popularity is due in great measure to his innumerable essays and bits of biography and autobiography, his letters, his journals, and travels and miscellaneous reminiscences. It was his own belief that he was a very painstaking and conscientious artist, and this is true to a great extent. On the day of his death he was engaged upon the most highly organized and ambitious thing he ever attempted, and every line of it shows the hand of an engraver on steel. But it is also true that during the last years of his life he lived under the pressure of photographers and newspaper syndicates, who came to him with great sums of money in their hands. He was exploited by the press of the United States, and this is the severest ordeal which a writer of English can pass through. There was one year in which he earned four thousand pounds. His immeasurable generosity kept him forever under the harrow in money matters, and added another burden to the weight carried by this dying and indomitable man. It is no wonder that some of his work is trivial. The wonder is that he should have produced it at all. The journalistic work of Stevenson, beginning with his Inland Voyage, and the letters afterwards published as Across the Plains, is valuable in the inverse ratio to its embellishment. Sidney Colvin suggested to him that in the letters Across the Plains the lights were turned down. But, in truth, the light is daylight. The letters have a freshness that midnight oil could not have improved, and this fugitive sketch is of more permanent interest than all the polite essays he ever wrote. If we compare the earlier with the later work of Stevenson as a magazine writer, we are struck with the accentuation of his mannerisms. It is not a single style which grows more intense, but his amazing skill in many which has increased. The following is a specimen of Stevenson's natural style, and it would be hard to find a better:-- "The day faded; the lamps were lit; a party of wild young men, who got off next evening at North Platte, stood together on the stern platform singing The Sweet By-and-By with very tuneful voices; the chums began to put up their beds; and it seemed as if the business of the day were at an end. But it was not so; for the train stopping at some station, the cars were instantly thronged with the natives, wives and fathers, young
PREV.   NEXT  
|<   109   110   111   112   113   114   115   116   117   118   119   120   121   122   >>  



Top keywords:

letters

 

Stevenson

 
writer
 
Across
 

essays

 

Plains

 

accentuation

 

lights

 

mannerisms

 

struck


amazing
 

magazine

 

single

 

suggested

 
embellishment
 
intense
 

Sidney

 

Colvin

 

compare

 

improved


fugitive

 

sketch

 

midnight

 

daylight

 

permanent

 

interest

 

turned

 

freshness

 

polite

 

earlier


singing

 
platform
 

tuneful

 

voices

 

business

 

thronged

 

instantly

 

natives

 

fathers

 

station


stopping

 

natural

 

increased

 

specimen

 

evening

 

Platte

 

ambitious

 
attempted
 

organized

 

highly