ac, and creamy white, by the double armful. When these
go the curtain comes down, and whatever Powers shift the scenery behind,
work without noise. In tropic lands you can hear the play of growth and
decay at the back of the night-silences. Even in England the tides of
the winter air have a set and a purpose; but here they are dumb
altogether. The very last piece of bench-work this season was the
trailed end of a blackberry-vine, most daringly conventionalised in
hammered iron, flung down on the frosty grass an instant before people
came to look. The blue bloom of the furnace was still dying along the
central rib, and the side-sprays were cherry red, even as they had been
lifted from the charcoal. It was a detail, evidently, of some invisible
gate in the woods; but we never found that workman, though he had left
the mark of his cloven foot as plainly as any strayed deer. In a week
the heavy frosts with scythes and hammers had slashed and knocked down
all the road-side growth and the kindly bushes that veil the drop off
the unfenced track.

There the seasons stopped awhile. Autumn was gone, Winter was not. We
had Time dealt out to us--mere, clear, fresh Time--grace-days to enjoy.
The white wooden farm-houses were banked round two feet deep with dried
leaves or earth, and the choppers went out to get ready next year's
stores of wood. Now, chopping is an art, and the chopper in all respects
an artist. He makes his own axe-helve, and for each man there is but one
perfect piece of wood in all the world. This he never finds, but the
likest substitute is trimmed and balanced and poised to that ideal. One
man I know has evolved very nearly the weapon of Umslopogaas. It is
almost straight, lapped at the butt with leather, amazingly springy, and
carries a two-edged blade for splitting and chopping. If his Demon be
with him--and what artist can answer for all his moods?--he will cause a
tree to fall upon any stick or stone that you choose, uphill or down, to
the right or to the left. Artist-like, however, he explains that that is
nothing. Any fool can play with a tree in the open, but it needs the
craftsman to bring a tree down in thick timber and do no harm. To see an
eighty-foot maple, four feet in the butt, dropped, deftly as a fly is
cast, in the only place where it will not outrage the feelings and swipe
off the tops of fifty juniors, is a revelation. White pine, hemlock, and
spruce share this country with maples, black and wh