on, the men on the right and the women on the left. They had
all risen and stood there smiling, with necks outstretched and eyes
glowing with curiosity.

First, in the rear of the magnificent beadle, came Camille, leaning on
the arm of her father, Baron Duvillard, who wore a proud expression
befitting a day of victory. Veiled with superb _point d'Alencon_ falling
from her diadem of orange blossom, gowned in pleated silk muslin over an
underskirt of white satin, the bride looked so extremely happy, so
radiant at having conquered, that she seemed almost pretty. Moreover, she
held herself so upright that one could scarcely detect that her left
shoulder was higher than her right.

Next came Gerard, giving his arm to his mother, the Countess de
Quinsac,--he looking very handsome and courtly, as was proper, and she
displaying impassive dignity in her gown of peacock-blue silk embroidered
with gold and steel beads. But it was particularly Eve whom people wished
to see, and every neck was craned forward when she appeared on the arm of
General Bozonnet, the bridegroom's first witness and nearest male
relative. She was gowned in "old rose" taffetas trimmed with Valenciennes
of priceless value, and never had she looked younger, more deliciously
fair. Yet her eyes betrayed her emotion, though she strove to smile; and
her languid grace bespoke her widowhood, her compassionate surrender of
the man she loved. Monferrand, the Marquis de Morigny, and banker
Louvard, the three other witnesses, followed the Baroness and General
Bozonnet, each giving his arm to some lady of the family. A considerable
sensation was caused by the appearance of Monferrand, who seemed on
first-rate terms with himself, and jested familiarly with the lady he
accompanied, a little brunette with a giddy air. Another who was noticed
in the solemn, interminable procession was the bride's eccentric brother
Hyacinthe, whose dress coat was of a cut never previously seen, with its
tails broadly and symmetrically pleated.

When the affianced pair had taken their places before the prayer-stools
awaiting them, and the members of both families and the witnesses had
installed themselves in the rear in large armchairs, all gilding and red
velvet, the ceremony was performed with extraordinary pomp. The cure of
the Madeleine officiated in person; and vocalists from the Grand Opera
reinforced the choir, which chanted the high mass to the accompaniment of
the organs, whence cam