dy, he was asking Pierre for particulars, when his son Luigi
suddenly entered the room, breathless from having climbed the stairs so
quickly and with his face full of anxious fear. He had just dismissed his
contractors with impatient roughness, giving no thought to his serious
financial position, the jeopardy in which his fortune was now placed, so
anxious was he to be up above beside his father. And when he was there
his first uneasy glance was for the old man, to make sure whether the
priest by some imprudent word had not dealt him his death blow.

He shuddered on noticing how Orlando quivered, moved to tears by the
terrible affair of which he was speaking; and for a moment he thought he
had arrived too late, that the harm was done. "Good heavens, father!" he
exclaimed, "what is the matter with you, why are you crying?" And as he
spoke he knelt at the old man's feet, taking hold of his hands and giving
him such a passionate, loving glance that he seemed to be offering all
the blood of his heart to spare him the slightest grief.

"It is about the death of that poor woman," Orlando sadly answered. "I
was telling Monsieur Froment how it grieved me, and I added that I could
not yet understand it all. The papers talk of a sudden death which is
always so extraordinary."

The young Count rose again looking very pale. The priest had not yet
spoken. But what a frightful moment was this! What if he should reply,
what if he should speak out?

"You were present, were you not?" continued the old man addressing
Pierre. "You saw everything. Tell me then how the thing happened."

Luigi Prada looked at Pierre. Their eyes met fixedly, plunging into one
another's souls. All began afresh in their minds, Destiny on the march,
Santobono encountered with his little basket, the drive across the
melancholy Campagna, the conversation about poison while the little
basket was gently rocked on the priest's knees; then, in particular, the
sleepy _osteria_, and the little black hen, so suddenly killed, lying on
the ground with a tiny streamlet of violet blood trickling from her beak.
And next there was that splendid ball at the Buongiovanni mansion, with
all its _odore di femina_ and its triumph of love: and finally, before
the Palazzo Boccanera, so black under the silvery moon, there was the man
who lighted a cigar and went off without once turning his head, allowing
dim Destiny to accomplish its work of death. Both of them, Pierre and
Prada,